{"id":38382,"date":"2026-07-18T11:19:30","date_gmt":"2026-07-18T08:19:30","guid":{"rendered":"https:\/\/www.merceknet.com\/tr\/?p=38382"},"modified":"2026-07-18T11:58:15","modified_gmt":"2026-07-18T08:58:15","slug":"kalitenin-kendisi-degil-alicisi-azaliyor","status":"publish","type":"post","link":"https:\/\/www.merceknet.com\/tr\/2026\/07\/18\/kalitenin-kendisi-degil-alicisi-azaliyor\/","title":{"rendered":"Kalitenin Kendisi De\u011fil, Al\u0131c\u0131s\u0131 Azal\u0131yor"},"content":{"rendered":"

Eskiden gazetelerin k\u00f6\u015fe yazarlar\u0131, \u00f6zellikle haftan\u0131n hemen her g\u00fcn\u00fc yazan isimler, hafta sonlar\u0131nda okurlar\u0131n\u0131n kar\u015f\u0131s\u0131na bamba\u015fka metinlerle \u00e7\u0131kard\u0131.<\/span><\/p>\n

\u00c7etin Altan, Ertu\u011frul \u00d6zk\u00f6k, Taha Akyol, \u0130lhan Sel\u00e7uk gibi yazarlar; \u00f6zellikle pazar g\u00fcnleri, bazen de cumartesi g\u00fcnleri sinema, tiyatro, sanat, gezi, edebiyat, felsefe ve sosyoloji \u00fczerine yaz\u0131lar kaleme al\u0131rlard\u0131.<\/span><\/p>\n

Ger\u00e7ekten harika yaz\u0131lard\u0131.<\/span><\/p>\n

Hafta boyunca siyasetin, kavgan\u0131n ve g\u00fcr\u00fclt\u00fcn\u00fcn i\u00e7inde okudu\u011fumuz o yazarlar, hafta sonu geldi\u011finde bamba\u015fka duygularla kar\u015f\u0131m\u0131za \u00e7\u0131kard\u0131. Belki de bu yaz\u0131lar sayesinde onlar\u0131n i\u00e7 d\u00fcnyalar\u0131na daha yak\u0131ndan bakma imk\u00e2n\u0131 bulurduk.<\/span><\/p>\n

Benim a\u00e7\u0131mdan fevkalade metinlerdi.<\/span><\/p>\n

O yaz\u0131lar\u0131 yaln\u0131zca bir gazete k\u00f6\u015fesi olarak de\u011fil, \u00e2deta bir kitab\u0131n sayfalar\u0131n\u0131 \u00e7evirir gibi okurdum. Klasik hayat\u0131m\u0131n, hafta sonu al\u0131\u015fkanl\u0131\u011f\u0131m\u0131n \u00f6nemli bir par\u00e7as\u0131yd\u0131.<\/span><\/p>\n

Sonra d\u00fcnya de\u011fi\u015fti.<\/span><\/p>\n

Ne klasik yazar kald\u0131 ne ger\u00e7ek anlamda k\u00f6\u015fe yazar\u0131\u2026 Ne \u201ck\u00e2ri\u201d kald\u0131 ne de \u201cmuharrir\u201d. Her \u015fey birbirine kar\u0131\u015ft\u0131. \u0130deolojinin, fikrin, sanat\u0131n ve edebiyat\u0131n i\u00e7i bo\u015falt\u0131ld\u0131. Bu kavramlar\u0131n de\u011fersizle\u015ftirildi\u011fini, baya\u011f\u0131la\u015ft\u0131r\u0131ld\u0131\u011f\u0131n\u0131 ve g\u00fcnl\u00fck tart\u0131\u015fmalar\u0131n aras\u0131nda s\u0131radan birer unsura d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc\u011f\u00fcn\u00fc g\u00f6r\u00fcyorum.<\/span><\/p>\n

T\u00fcrkiye \u00e7ok b\u00fcy\u00fck badireler atlatt\u0131. Bu s\u00fcre\u00e7te b\u00fcy\u00fck d\u00f6n\u00fc\u015f\u00fcmler, hatta b\u00fcy\u00fck ink\u0131laplar ya\u015fand\u0131. Bana g\u00f6re en b\u00fcy\u00fck ink\u0131laplardan biri de medya d\u00fcnyas\u0131nda ger\u00e7ekle\u015fti.<\/span><\/p>\n

Bir zamanlar Bab\u0131ali\u2019nin kap\u0131s\u0131ndan i\u00e7eri girmesi dahi m\u00fcmk\u00fcn g\u00f6r\u00fclmeyecek insanlar, bug\u00fcn televizyon kanallar\u0131nda T\u00fcrkiye\u2019nin en \u00f6nemli k\u00f6\u015fe yazarlar\u0131, yorumcular\u0131 ve gazetecileri olarak konu\u015fuyor.<\/span><\/p>\n

Bu ba\u015fl\u0131 ba\u015f\u0131na yanl\u0131\u015f m\u0131?<\/span><\/p>\n

Hay\u0131r, de\u011fil.<\/span><\/p>\n

\u00d6zellikle bizim bulundu\u011fumuz taraftan bak\u0131ld\u0131\u011f\u0131nda bu de\u011fi\u015fimin yanl\u0131\u015f oldu\u011funu s\u00f6yleyemeyiz. Y\u0131llarca g\u00f6rmezden gelinen, d\u0131\u015flanan ve imk\u00e2n verilmeyen insanlar\u0131n medyada kendilerine yer bulmalar\u0131 elbette \u00f6nemliydi.<\/span><\/p>\n

Ancak bu d\u00f6n\u00fc\u015f\u00fcm\u00fcn beraberinde getirdi\u011fi b\u00fcy\u00fck bir olumsuzluk da oldu: Ciddi bir nitelik kayb\u0131, karakter zay\u0131flamas\u0131 ve gazetecinin kendi kimli\u011fini yitirmesi\u2026<\/span><\/p>\n

\u0130deolojinin, fikrin, edebiyat\u0131n ve sanat\u0131n yok olmaya ba\u015flad\u0131\u011f\u0131 bir s\u00fcre\u00e7 ya\u015fand\u0131. K\u00f6t\u00fc olan tam olarak budur.<\/span><\/p>\n

Yoksa derinli\u011fi bulunan, d\u00fcnyaya s\u00f6yleyecek s\u00f6z\u00fc olan, fikir ve sanat bak\u0131m\u0131ndan donan\u0131ml\u0131 insanlar ekranlara \u00e7\u0131ksa, k\u00f6\u015felerde yazsa ve bunlar bizim d\u00fcnyam\u0131z\u0131n insanlar\u0131 olsa elbette fevkalade olurdu.<\/span><\/p>\n

Ama ne yaz\u0131k ki durum b\u00f6yle de\u011fil.<\/span><\/p>\n

Bizim i\u00e7imizde bulunan; fikr\u00ee ve ideolojik anlamda derinli\u011fi olan, hassasiyet sahibi, estetik kayg\u0131s\u0131 bulunan, zevkiselim noktas\u0131na ula\u015fm\u0131\u015f de\u011ferli insanlar birer birer k\u00f6\u015felerine \u00e7ekilirken, karakterini ve kimli\u011fini kolayca de\u011fi\u015ftirebilen, \u00e7ok kolay sat\u0131labilen birtak\u0131m tipler \u201cBizdeniz\u201d diyerek \u00f6ne \u00e7\u0131kt\u0131.<\/span><\/p>\n

Daha k\u00f6t\u00fcs\u00fc, \u00e7o\u011fu zaman bu ki\u015filerin \u00f6z\u00fcnde bizden bile olmad\u0131\u011f\u0131n\u0131 g\u00f6rd\u00fck.<\/span><\/p>\n

Ya\u015fad\u0131\u011f\u0131m\u0131z s\u00fcre\u00e7 tam olarak budur.<\/span><\/p>\n

Neticede gazetecili\u011fin, yazarl\u0131\u011f\u0131n ve muharrirli\u011fin yerle bir edildi\u011fi; kavramlar\u0131n anlam\u0131n\u0131, kelimelerin a\u011f\u0131rl\u0131\u011f\u0131n\u0131, fikirlerin ise derinli\u011fini kaybetti\u011fi bir d\u00f6nemle kar\u015f\u0131 kar\u015f\u0131ya kald\u0131k.<\/span><\/p>\n

B\u00fct\u00fcn bunlar\u0131 neden anlatt\u0131m?<\/span><\/p>\n

Ge\u00e7ti\u011fimiz g\u00fcnlerde Tantavi K\u00fclt\u00fcr Sanat Merkezi\u2019nde ger\u00e7ekten m\u00fcthi\u015f bir sergiyi gezme imk\u00e2n\u0131 buldum.<\/span><\/p>\n

Konya B\u00fcy\u00fck\u015fehir Belediyesinin katk\u0131lar\u0131yla, Meram Belediyesinin ev sahipli\u011finde ve Albayrak Grubu taraf\u0131ndan d\u00fczenlenen \u201cHane\u201d sergisi<\/strong>, \u201caile ve yuva\u201d temas\u0131n\u0131 \u0130slam sanatlar\u0131 \u00fczerinden ele alarak Konya\u2019da sanatseverlerle bulu\u015ftu. <\/span>A\u00e7\u0131l\u0131\u015fa Konya Valisi \u0130brahim Ak\u0131n, Konya B\u00fcy\u00fck\u015fehir Belediye Ba\u015fkan\u0131 U\u011fur \u0130brahim Altay, Meram Kaymakam\u0131 Bayram Y\u0131lmaz, Meram Belediyesi Ba\u015fkan\u0131 Mustafa Kavu\u015f, KTO Karatay \u00dcniversitesi Rekt\u00f6r\u00fc Prof. Dr. Fevzi Rifat Orta\u00e7, Albayrak Grubu Y\u00f6netim Kurulu \u00dcyesi Mesut Albayrak, Albayrak Medya Genel M\u00fcd\u00fcr\u00fc Abdullah Han\u00f6n\u00fc, Albayrak Grubu Kurumsal \u0130leti\u015fim Koordinat\u00f6r\u00fc Esad Sivri, hattat Abdurrahman Depeler, Seyit Ahmet Depeler, \u0130brahim \u015eeng\u00fcl, Konyam\u0131zdan adeta d\u00fcnyaya a\u00e7\u0131lan k\u0131ymetli Sanat\u00e7\u0131 Haf\u0131z Ahmet \u00c7al\u0131\u015f\u0131r A\u011fabeyimiz, Hat Sanat\u0131n\u0131n \u00dcstad\u0131 H\u00fcseyin \u00d6ks\u00fcz Hocam\u0131z kat\u0131ld\u0131. <\/span><\/p>\n

2025 y\u0131l\u0131n\u0131n \u201cAile Y\u0131l\u0131\u201d ilan edilmesinden ilhamla kurgulanan sergi; klasik ve \u00e7a\u011fda\u015f eserleri bir araya getirirken aile, e\u015f, anne-baba ve nesiller aras\u0131ndaki ba\u011flar \u00fczerine yeniden d\u00fc\u015f\u00fcnme imk\u00e2n\u0131 sunuyor.<\/span><\/p>\n

Sergi, aileyi yaln\u0131zca toplumsal bir kurum olarak ele alm\u0131yor. Aileyi; sevginin, aidiyetin, g\u00fcvenin, hat\u0131ran\u0131n ve insan\u0131n k\u00f6kleriyle kurdu\u011fu ili\u015fkinin merkezi olarak yorumluyor.<\/span><\/p>\n

Zaten \u201chane\u201d dedi\u011fimiz \u015fey, yaln\u0131zca duvarlardan ve bir \u00e7at\u0131dan ibaret de\u011fildir. Hane; insan\u0131n kendisini ait hissetti\u011fi, ge\u00e7mi\u015fini ta\u015f\u0131d\u0131\u011f\u0131, gelece\u011fini kurdu\u011fu, ac\u0131s\u0131n\u0131 ve sevincini payla\u015ft\u0131\u011f\u0131 yerdir.<\/span><\/p>\n

Sergide aile temas\u0131n\u0131 merkeze alan 13 hat ve 12 tezhip eserinin yan\u0131 s\u0131ra dijital \u00e7al\u0131\u015fmalar, geometrik desenlerden olu\u015fan kandiller, mermer i\u015fleme celi s\u00fcl\u00fcs eserleri ile Mehmet \u00d6z\u00e7ay\u2019a ait 11 seramik-hat eseri yer al\u0131yor.<\/span><\/p>\n

Sadece klasik hat eserlerinden olu\u015fan bir sergiden s\u00f6z etmiyoruz.<\/span><\/p>\n

Mermer \u00fczerine i\u015flenmi\u015f \u00e7al\u0131\u015fmalardan seramik-hat eserlerine, tezhipten dijital sanata, geometrik desenlerle olu\u015fturulan kandillerden celi s\u00fcl\u00fcs \u00f6rneklerine kadar bir\u00e7ok farkl\u0131 sanat dal\u0131 ayn\u0131 \u00e7at\u0131 alt\u0131nda bir araya getirilmi\u015f.<\/span><\/p>\n

Serginin sunumu, eserlerin yerle\u015ftirilme bi\u00e7imi ve olu\u015fturulan estetik b\u00fct\u00fcnl\u00fck ger\u00e7ekten fevkalade ba\u015far\u0131l\u0131.<\/span><\/p>\n

O kadar zarif, g\u00fc\u00e7l\u00fc ve dikkat \u00e7ekici \u00e7al\u0131\u015fmalar var ki sergiyi gezdi\u011finizde s\u00f6ylediklerimde abart\u0131 olmad\u0131\u011f\u0131n\u0131, hatta az bile s\u00f6yledi\u011fimi g\u00f6receksiniz.<\/span><\/p>\n

Her eser, aile ve yuva kavramlar\u0131n\u0131 kendi sanat dili i\u00e7erisinde yeniden yorumluyor. Bir eserde annenin \u015fefkatini, di\u011ferinde e\u015fler aras\u0131ndaki ba\u011fl\u0131l\u0131\u011f\u0131, bir ba\u015fkas\u0131nda ise nesiller aras\u0131nda kurulan g\u00f6r\u00fcnmez fakat son derece g\u00fc\u00e7l\u00fc ba\u011f\u0131 hissediyorsunuz.<\/span><\/p>\n

3 y\u0131ld\u0131r Albayrak Grubu taraf\u0131ndan d\u00fczenlenen bu sergilerin tamam\u0131n\u0131 takip etmeye \u00e7al\u0131\u015f\u0131yorum.<\/span><\/p>\n

Yanl\u0131\u015f hat\u0131rlam\u0131yorsam bir d\u00f6nem Albaraka da bu sergilere destek veriyordu. Sonras\u0131nda ne oldu, neden \u00e7ekildi bilmiyorum. Belki de ben yanl\u0131\u015f hat\u0131rl\u0131yorumdur.<\/span><\/p>\n

Ancak \u015funu a\u00e7\u0131k\u00e7a ifade edebilirim: Bu sergilerin niteli\u011fi azalmad\u0131, aksine her ge\u00e7en y\u0131l daha da artt\u0131.<\/span><\/p>\n

Bu y\u0131l da serginin sunumu, olu\u015fturulma bi\u00e7imi, eserlerin se\u00e7imi ve genel sanat politikas\u0131 son derece ba\u015far\u0131l\u0131 olmu\u015f. Albayrak Grubu\u2019nun bu alanda ortaya koydu\u011fu istikrarl\u0131 ve nitelikli \u00e7al\u0131\u015fmay\u0131 takdir etmek gerekiyor.<\/span><\/p>\n

Sergiyi gezerken Mustafa Tatl\u0131su a\u011fabey ve dostum Muhammed Ali Orak ile sohbet ettik.\u00a0<\/span><\/p>\n

Muhammed Ali, bana Mehmet \u00c2kif Ersoy \u00dcstad\u2019\u0131n harika bir \u015fiirinden b\u00f6l\u00fcmler okudu. Asl\u0131nda \u015fiiri okumaya ben ba\u015flam\u0131\u015ft\u0131m. Fakat haf\u0131zam \u00e7ok iyi olmad\u0131\u011f\u0131 i\u00e7in devam\u0131n\u0131 hat\u0131rlayamad\u0131m.<\/span><\/p>\n

Muhammed Ali\u2019nin ise esere b\u00fct\u00fcn\u00fcyle h\u00e2kim oldu\u011funu, hatta \u015fiirin yaz\u0131l\u0131\u015f hik\u00e2yesini bile bildi\u011fini g\u00f6rd\u00fcm.<\/span><\/p>\n

Mehmet Akif \u00dcstad\u0131n, bestelenmi\u015f de olan;<\/span><\/p>\n

“Ezelden \u00e2\u015fin\u00e2n\u0131m ben, ezelden hem-zeb\u00e2n\u0131ms\u0131n;<\/span>
Ber\u00e2ber ahde ba\u011fland\u0131k, ne olsan y\u00e2r-\u0131 c\u00e2n\u0131ms\u0131n.<\/span>
Ne olsam zerrenim, kalbimde h\u00e2l\u00e2 \u00e7arpar esr\u00e2r\u0131n;<\/span>
Gel ey c\u00e2n\u00e2n, gel ey c\u00e2n, kalmas\u0131n ferd\u00e2ya d\u00eed\u00e2r\u0131n.”<\/span><\/p>\n

m\u0131sralar\u0131n\u0131 o okudu, hatta \u015fiirin \u00f6yk\u00fcs\u00fcn\u00fc de anlatt\u0131, bir g\u00fcn belki yazar\u0131m da (in\u015faAllah)… ben de dinledim.<\/span><\/p>\n

B\u00f6ylesine birikimli insanlarla birlikte olabilmek, onlarla ayn\u0131 ortam\u0131 payla\u015fmak, sanat\u0131n ve \u015fiirin etraf\u0131nda konu\u015fabilmek insana ger\u00e7ekten ayr\u0131 bir mutluluk veriyor.<\/span><\/p>\n

Belki de ge\u00e7mi\u015fteki o hafta sonu yaz\u0131lar\u0131nda arad\u0131\u011f\u0131m\u0131z duygu tam olarak buydu.<\/span><\/p>\n

G\u00fcnl\u00fck siyasetin, tart\u0131\u015fmalar\u0131n ve g\u00fcr\u00fclt\u00fcn\u00fcn d\u0131\u015f\u0131na \u00e7\u0131kabilmek\u2026<\/span><\/p>\n

Bir \u015fiir, bir sanat eseri, bir hat levhas\u0131, bir kitap veya g\u00fczel bir sohbet \u00fczerinden insan\u0131n yeniden kendi i\u00e7 d\u00fcnyas\u0131na d\u00f6nebilmesi\u2026<\/span><\/p>\n

\u0130\u015fte \u201cHane\u201d sergisini gezerken uzun uzun nitelik, varl\u0131k, yokluk, g\u00fczellik, standart ve standard\u0131n \u00fcst\u00fcne \u00e7\u0131kabilmek \u00fczerine d\u00fc\u015f\u00fcnd\u00fcm.<\/span><\/p>\n

Neden bu d\u00fc\u015f\u00fcncelere \u00f6zellikle bu sergide kap\u0131ld\u0131\u011f\u0131m\u0131 bilmiyorum. Belki eserlerin zarafeti, belki ortam\u0131n dinginli\u011fi, belki de sanat\u0131n insana kendi d\u00fcnyas\u0131n\u0131 yeniden hat\u0131rlatan g\u00fcc\u00fc buna sebep oldu.<\/span><\/p>\n

Albayrak Grubu\u2019nun sahibi oldu\u011fu Yeni \u015eafak gazetesinde de eskiden \u00e7ok nitelikli yazarlar bulunurdu. Bug\u00fcn elbette yine de\u011ferli isimler var. Ancak yaz\u0131lar\u0131n daha \u00e7ok g\u00fcncel geli\u015fmeler, siyasi tart\u0131\u015fmalar ve g\u00fcnl\u00fck polemikler etraf\u0131nda \u015fekillendi\u011fini g\u00f6r\u00fcyoruz.<\/span><\/p>\n

Oysa insan sadece siyasetle ya\u015fam\u0131yor.<\/span><\/p>\n

\u0130nsan\u0131n sanata, edebiyata, felsefeye, tarihe, \u015fiire ve esteti\u011fe de ihtiyac\u0131 var. Bazen bir k\u00f6\u015fe yaz\u0131s\u0131n\u0131n d\u00fcnyay\u0131 de\u011fi\u015ftirmesi gerekmez. \u0130nsana bir \u00e7i\u00e7e\u011fi, bir \u015fehri, bir \u015fiiri veya eski bir hat\u0131ray\u0131 yeniden fark ettirmesi bile yeterlidir.<\/span><\/p>\n

Asl\u0131nda anlatmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131m \u015fu:<\/span><\/p>\n

Belki toplumdaki kalitenin kendisi b\u00fct\u00fcn\u00fcyle ortadan kalkm\u0131yor. Nitelikli eserler h\u00e2l\u00e2 \u00fcretiliyor. De\u011ferli insanlar h\u00e2l\u00e2 aram\u0131zda ya\u015f\u0131yor. G\u00fczel kitaplar yaz\u0131l\u0131yor, etkileyici sanat eserleri ortaya konuluyor, derinlikli fikirler dile getiriliyor.<\/span><\/p>\n

Fakat kalitenin al\u0131c\u0131s\u0131 azal\u0131yor.<\/span><\/p>\n

Nitelikli eseri, derinlikli fikri, iyi yaz\u0131y\u0131 ve ger\u00e7ek sanat\u0131 arayan insanlar\u0131n say\u0131s\u0131 giderek d\u00fc\u015f\u00fcyor. \u0130nsanlar art\u0131k bir metnin \u00fczerinde uzun uzun durmak, bir eserin kar\u015f\u0131s\u0131nda d\u00fc\u015f\u00fcnmek veya bir fikrin pe\u015finden sab\u0131rla gitmek istemiyor.<\/span><\/p>\n

Her \u015feyin h\u0131zl\u0131 t\u00fcketildi\u011fi, hemen unutuldu\u011fu ve yaln\u0131zca g\u00f6r\u00fcn\u00fcr oldu\u011fu \u00f6l\u00e7\u00fcde de\u011fer kazand\u0131\u011f\u0131 bir d\u00f6nemde ya\u015f\u0131yoruz.<\/span><\/p>\n

Belki de as\u0131l meselemiz, kalitenin ortadan kalkmas\u0131 de\u011fil; kaliteyi arayan, anlayan ve sahiplenen insanlar\u0131n azalmas\u0131d\u0131r.<\/span><\/p>\n

Bunun nedenini do\u011frusu ben de tam olarak anlayam\u0131yorum.<\/span><\/p>\n

Neticede bir sanat yaz\u0131s\u0131 kaleme almaya \u00e7al\u0131\u015ft\u0131m. Eski g\u00fcnleri hat\u0131rlad\u0131m, belki sizlere de o g\u00fcnleri bir nebze hat\u0131rlatt\u0131m.<\/span><\/p>\n

Umar\u0131m s\u00fcr\u00e7\u00fclisan etmemi\u015fizdir.<\/span><\/p>\n

\u201cHane\u201d sergisi, 7 A\u011fustos\u2019a kadar Tantavi K\u00fclt\u00fcr Sanat Merkezi\u2019nde ziyaret edilebilecek.<\/span><\/p>\n

Mutlaka gezin.<\/span><\/p>\n

Ger\u00e7ekten \u00e7ok g\u00fczel, \u00e7ok zarif ve \u00e7ok k\u0131ymetli eserler var.<\/span><\/p>\n

Memnun kalacaks\u0131n\u0131z.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Eskiden gazetelerin k\u00f6\u015fe yazarlar\u0131, \u00f6zellikle haftan\u0131n hemen her g\u00fcn\u00fc yazan isimler, hafta sonlar\u0131nda okurlar\u0131n\u0131n kar\u015f\u0131s\u0131na bamba\u015fka metinlerle \u00e7\u0131kard\u0131. \u00c7etin Altan, Ertu\u011frul \u00d6zk\u00f6k, Taha Akyol, \u0130lhan Sel\u00e7uk gibi yazarlar; \u00f6zellikle pazar g\u00fcnleri, bazen de cumartesi g\u00fcnleri sinema, tiyatro, sanat, gezi, edebiyat, felsefe ve sosyoloji \u00fczerine yaz\u0131lar kaleme al\u0131rlard\u0131. Ger\u00e7ekten harika yaz\u0131lard\u0131. Hafta boyunca siyasetin, kavgan\u0131n ve […]<\/p>\n","protected":false},"author":3,"featured_media":38392,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[6479,87],"class_list":["post-38382","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kose-yazilari","tag-hamdibagci","tag-koseyazisi"],"yoast_head":"\nKalitenin Kendisi De\u011fil, Al\u0131c\u0131s\u0131 Azal\u0131yor - Merceknet Haber<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.merceknet.com\/tr\/2026\/07\/18\/kalitenin-kendisi-degil-alicisi-azaliyor\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kalitenin Kendisi De\u011fil, Al\u0131c\u0131s\u0131 Azal\u0131yor - Merceknet Haber\" \/>\n<meta property=\"og:description\" content=\"Eskiden gazetelerin k\u00f6\u015fe yazarlar\u0131, \u00f6zellikle haftan\u0131n hemen her g\u00fcn\u00fc yazan isimler, hafta sonlar\u0131nda okurlar\u0131n\u0131n kar\u015f\u0131s\u0131na bamba\u015fka metinlerle \u00e7\u0131kard\u0131. \u00c7etin Altan, Ertu\u011frul \u00d6zk\u00f6k, Taha Akyol, \u0130lhan Sel\u00e7uk gibi yazarlar; \u00f6zellikle pazar g\u00fcnleri, bazen de cumartesi g\u00fcnleri sinema, tiyatro, sanat, gezi, edebiyat, felsefe ve sosyoloji \u00fczerine yaz\u0131lar kaleme al\u0131rlard\u0131. Ger\u00e7ekten harika yaz\u0131lard\u0131. 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