{"id":34621,"date":"2026-06-29T23:44:20","date_gmt":"2026-06-29T20:44:20","guid":{"rendered":"https:\/\/www.merceknet.com\/tr\/?p=34621"},"modified":"2026-06-29T23:44:20","modified_gmt":"2026-06-29T20:44:20","slug":"cemal-sureya-turkcenin-en-zarif-yarasi-bir-gulusten-siir-cikaran-buyuk-usta","status":"publish","type":"post","link":"https:\/\/www.merceknet.com\/tr\/2026\/06\/29\/cemal-sureya-turkcenin-en-zarif-yarasi-bir-gulusten-siir-cikaran-buyuk-usta\/","title":{"rendered":"Cemal S\u00fcreya: T\u00fcrk\u00e7enin En Zarif Yaras\u0131, Bir G\u00fcl\u00fc\u015ften \u015eiir \u00c7\u0131karan B\u00fcy\u00fck Usta"},"content":{"rendered":"

A\u015fk\u0131 s\u00fcslemeden g\u00fczelle\u015ftiren, yaln\u0131zl\u0131\u011f\u0131 ba\u011f\u0131rmadan duyuran, kad\u0131n\u0131, \u00e7ocuklu\u011fu ve insan\u0131n i\u00e7 k\u0131r\u0131lganl\u0131\u011f\u0131n\u0131 T\u00fcrk\u00e7enin en incelikli sesiyle anlatan Cemal S\u00fcreya, y\u0131llar ge\u00e7se de \u015fiirleriyle okurun kalbinde ya\u015famaya devam ediyor.<\/span><\/p>\n

T\u00fcrk \u015fiirinin en zarif, en derin ve en unutulmaz seslerinden Cemal S\u00fcreya, yaln\u0131zca yazd\u0131\u011f\u0131 \u015fiirlerle de\u011fil; okurun i\u00e7inde b\u0131rakt\u0131\u011f\u0131 iz, a\u015fka y\u00fckledi\u011fi anlam ve kelimelere kazand\u0131rd\u0131\u011f\u0131 incelikle edebiyat\u0131m\u0131z\u0131n en \u00f6zel isimlerinden biri olarak an\u0131l\u0131yor.<\/span><\/p>\n

Onu tarif etmek gerekirse, belki de en do\u011fru s\u00f6z \u015fudur: Cemal S\u00fcreya, T\u00fcrk\u00e7enin en zarif yaras\u0131d\u0131r.<\/span><\/p>\n

\u00c7\u00fcnk\u00fc onun \u015fiirinde a\u015fk, yaln\u0131zca iki insan aras\u0131nda ya\u015fanan bir duygu de\u011fildir. A\u015fk bazen bir bak\u0131\u015fta ba\u015flar, bazen bir g\u00fcl\u00fc\u015fte b\u00fcy\u00fcr, bazen bir ayr\u0131l\u0131\u011f\u0131n ard\u0131ndan insan\u0131n i\u00e7ine \u00e7\u00f6ken sessizlikte kendini g\u00f6sterir. Bir kad\u0131na bakarken yaln\u0131zca o kad\u0131n\u0131 de\u011fil; d\u00fcnyay\u0131, yaln\u0131zl\u0131\u011f\u0131, \u00e7ocuklu\u011fu, s\u00fcrg\u00fcn\u00fc, insan\u0131n i\u00e7indeki en k\u0131r\u0131lgan yeri de g\u00f6r\u00fcr.<\/span><\/p>\n

\u201c<\/span>bakt\u0131m g\u00fcl\u00fc\u015f\u00fcnden g\u00fczel \u015fiir olur<\/span>
\nsevdim gitti…<\/span>
\nsen y\u00fcz\u00fcne s\u00fcrg\u00fcn oldu\u011fum kad\u0131n,<\/span>
\nmadem sevmiyorsun<\/span>
\no zaman sahip \u00e7\u0131k g\u00f6zlerine…<\/span>
\nd\u00f6n\u00fcp,<\/span>
\ndola\u015f\u0131p,<\/span>
\nde\u011fmesinler g\u00f6zlerime.\u201d<\/span><\/p>\n

Bu dizelerde a\u015fk, b\u00fcy\u00fck s\u00f6zlerle de\u011fil, i\u00e7e i\u015fleyen bir s\u0131z\u0131yla kurulur. Seven insan, sevdi\u011finin y\u00fcz\u00fcne s\u00fcrg\u00fcn gibidir. Gitmek ister ama gidemez; unutmak ister ama g\u00f6zler d\u00f6n\u00fcp dola\u015f\u0131p yine ayn\u0131 yere de\u011fer. A\u015fk burada y\u00fcksek sesli bir ilan de\u011fil, insan\u0131n kendine bile zor s\u00f6yledi\u011fi derin bir kabulleni\u015ftir.<\/span><\/p>\n

Cemal S\u00fcreya\u2019n\u0131n \u015fiirini y\u0131llar sonra bile diri tutan \u015fey de budur: Bir g\u00fcl\u00fc\u015ften \u015fiir \u00e7\u0131karabilmesi, bir bak\u0131\u015f\u0131 \u00f6m\u00fcrl\u00fck s\u0131z\u0131ya d\u00f6n\u00fc\u015ft\u00fcrebilmesi, birka\u00e7 kelimeyle insan\u0131n kalbinde uzun s\u00fcre yank\u0131lanacak bir bo\u015fluk b\u0131rakabilmesi.<\/span><\/p>\n

Erzincan\u2019dan T\u00fcrk \u015eiirinin Kalbine Uzanan Hayat<\/strong><\/span><\/p>\n

As\u0131l ad\u0131 Cemalettin Seber olan Cemal S\u00fcreya, 1931 y\u0131l\u0131nda Erzincan\u2019da d\u00fcnyaya geldi. \u00c7ocuklu\u011fu, ailesinin ya\u015fad\u0131\u011f\u0131 g\u00f6\u00e7ler, erken kay\u0131plar ve yat\u0131l\u0131 okul y\u0131llar\u0131yla \u015fekillendi. Bu \u00e7ocukluk deneyimi, ilerleyen y\u0131llarda onun \u015fiirinde s\u0131k\u00e7a hissedilecek olan yaln\u0131zl\u0131k, k\u0131r\u0131lganl\u0131k, s\u00fcrg\u00fcn ve i\u00e7e d\u00f6n\u00fck h\u00fcz\u00fcn duygusunun temel kaynaklar\u0131ndan biri oldu.<\/span><\/p>\n

Cemal S\u00fcreya\u2019n\u0131n hayat\u0131nda e\u011fitim \u00f6nemli bir yer tuttu. \u0130lk \u00f6\u011frenim y\u0131llar\u0131n\u0131n ard\u0131ndan paras\u0131z yat\u0131l\u0131 olarak e\u011fitim hayat\u0131n\u0131 s\u00fcrd\u00fcrd\u00fc. \u0130stanbul\u2019daki Haydarpa\u015fa Lisesi\u2019nde okudu. Daha sonra Ankara \u00dcniversitesi Siyasal Bilgiler Fak\u00fcltesi Maliye ve \u0130ktisat B\u00f6l\u00fcm\u00fc\u2019nde \u00f6\u011frenim g\u00f6rd\u00fc. \u00dcniversite y\u0131llar\u0131, onun edebiyatla ba\u011f\u0131n\u0131n g\u00fc\u00e7lendi\u011fi, \u015fiirinin y\u00f6n\u00fcn\u00fc bulmaya ba\u015flad\u0131\u011f\u0131 d\u00f6nemlerden biri oldu.<\/span><\/p>\n

Mezuniyetinin ard\u0131ndan devlet memurlu\u011fu yapt\u0131. Maliye alan\u0131nda g\u00f6rev ald\u0131, m\u00fcfetti\u015flik yapt\u0131, T\u00fcrkiye\u2019nin farkl\u0131 \u015fehirlerinde bulundu. Memuriyet hayat\u0131, onun yaln\u0131zca resmi bir g\u00f6rev alan\u0131 de\u011fil; ayn\u0131 zamanda insan\u0131, ta\u015fray\u0131, b\u00fcrokrasiyi, \u00fclkenin sosyal ger\u00e7eklerini ve hayat\u0131n sert y\u00fcz\u00fcn\u00fc g\u00f6zlemledi\u011fi bir d\u00f6nem oldu.<\/span><\/p>\n

Cemal S\u00fcreya, yaln\u0131zca \u015fair kimli\u011fiyle de\u011fil; yazar, \u00e7evirmen, denemeci, ele\u015ftirmen ve dergici kimli\u011fiyle de T\u00fcrk edebiyat\u0131nda iz b\u0131rakt\u0131. Frans\u0131zcadan \u00e7ok say\u0131da eser \u00e7evirdi, edebiyat dergilerinde yaz\u0131lar yay\u0131mlad\u0131, \u201cPapir\u00fcs\u201d dergisiyle edebiyat d\u00fcnyas\u0131nda etkili bir yay\u0131nc\u0131l\u0131k ser\u00fcvenine imza att\u0131.<\/span><\/p>\n

T\u00fcrk \u015fiirinin b\u00fcy\u00fck ustas\u0131 Cemal S\u00fcreya, 9 Ocak 1990\u2019da \u0130stanbul\u2019da hayat\u0131n\u0131 kaybetti. Ancak onun \u015fiiri, \u00f6l\u00fcm\u00fcn\u00fcn ard\u0131ndan ge\u00e7en y\u0131llara ra\u011fmen eskimedi. Aksine her ku\u015fakta yeni okurlar buldu, yeni duygulara terc\u00fcman oldu ve T\u00fcrk\u00e7enin en g\u00fc\u00e7l\u00fc \u015fiir damarlar\u0131ndan biri olarak ya\u015famay\u0131 s\u00fcrd\u00fcrd\u00fc.<\/span><\/p>\n

\u0130kinci Yeni\u2019nin En \u00d6zg\u00fcn Seslerinden Biri<\/strong><\/span><\/p>\n

Cemal S\u00fcreya, T\u00fcrk \u015fiirinde modernist bir k\u0131r\u0131lma yaratan \u0130kinci Yeni hareketinin \u00f6nc\u00fc isimlerinden biri olarak kabul edilir. \u0130kinci Yeni, \u015fiiri al\u0131\u015f\u0131lm\u0131\u015f anlat\u0131m kal\u0131plar\u0131ndan \u00e7\u0131kararak daha imgesel, daha \u00e7a\u011fr\u0131\u015f\u0131ml\u0131, daha \u00f6zg\u00fcr ve daha derinlikli bir dile ta\u015f\u0131d\u0131.<\/span><\/p>\n

Bu hareketin i\u00e7inde Cemal S\u00fcreya, kendine \u00f6zg\u00fc sesiyle ayr\u0131 bir yerde durdu. Onun \u015fiiri hem zeki hem duyguludur. Hem ironiktir hem i\u00e7lidir. Hem \u015fehirli bir dille konu\u015fur hem de Anadolu\u2019nun, s\u00fcrg\u00fcn\u00fcn, yoksullu\u011fun, \u00e7ocuklu\u011fun ve yaln\u0131zl\u0131\u011f\u0131n izlerini ta\u015f\u0131r.<\/span><\/p>\n

Cemal S\u00fcreya\u2019n\u0131n \u015fiirinde a\u015fk, kad\u0131n, yaln\u0131zl\u0131k, \u00f6l\u00fcm, toplumsal duyarl\u0131l\u0131k, siyasal ele\u015ftiri, \u00e7ocukluk, haf\u0131za ve insan\u0131n i\u00e7 d\u00fcnyas\u0131 g\u00fc\u00e7l\u00fc bi\u00e7imde yer al\u0131r. Ancak onu \u00f6zel k\u0131lan \u015fey, bu temalar\u0131 i\u015flemesi kadar, onlar\u0131 T\u00fcrk\u00e7enin s\u0131n\u0131rlar\u0131n\u0131 geni\u015fleten bir \u015fiir diliyle kurmas\u0131d\u0131r.<\/span><\/p>\n

Onun dizeleri bazen \u015fa\u015f\u0131rt\u0131r, bazen g\u00fcl\u00fcmsetir, bazen de kalbin ortas\u0131na k\u00fc\u00e7\u00fck ama a\u011f\u0131r bir ta\u015f b\u0131rak\u0131r. Cemal S\u00fcreya \u015fiiri fazla ba\u011f\u0131rmaz; fakat okurun i\u00e7inde uzun s\u00fcre yank\u0131lan\u0131r.<\/span><\/p>\n

\u201c\u00dcvercinka\u201ddan \u201cSevda S\u00f6zleri\u201dne Uzanan B\u00fcy\u00fck Eserler<\/strong><\/span><\/p>\n

Cemal S\u00fcreya\u2019n\u0131n ilk \u015fiir kitab\u0131 \u201c\u00dcvercinka\u201d, 1958 y\u0131l\u0131nda yay\u0131mland\u0131. Bu kitap, modern T\u00fcrk \u015fiirinde \u00f6nemli bir d\u00f6n\u00fcm noktas\u0131 olarak kabul edildi ve \u015faire 1959 y\u0131l\u0131nda Yeditepe \u015eiir Arma\u011fan\u0131\u2019n\u0131 kazand\u0131rd\u0131.<\/span><\/p>\n

\u201c\u00dcvercinka\u201d, yaln\u0131zca bir kitap ad\u0131 de\u011fil; Cemal S\u00fcreya\u2019n\u0131n \u015fiirinde a\u015fk\u0131n, \u00f6zg\u00fcrl\u00fc\u011f\u00fcn, kad\u0131n imgesinin ve dilde cesaretin sembollerinden biri oldu.<\/span><\/p>\n

\u015eairin di\u011fer \u00f6nemli \u015fiir kitaplar\u0131 aras\u0131nda \u201cG\u00f6\u00e7ebe\u201d, \u201cBeni \u00d6p Sonra Do\u011fur Beni\u201d, \u201cU\u00e7urumda A\u00e7an\u201d, \u201cS\u0131cak Nal\u201d, \u201cG\u00fcz Bitigi\u201d ve \u201cSevda S\u00f6zleri\u201d yer ald\u0131.<\/span><\/p>\n

\u201cG\u00f6\u00e7ebe\u201d, Cemal S\u00fcreya\u2019n\u0131n yaln\u0131zca bireysel duygularla de\u011fil, tarihsel ve toplumsal duyarl\u0131l\u0131klarla da g\u00fc\u00e7l\u00fc ba\u011f kurdu\u011funu g\u00f6sterdi. \u201cBeni \u00d6p Sonra Do\u011fur Beni\u201d, a\u015fk\u0131n, bedenin, tarihin ve Anadolu\u2019nun ayn\u0131 \u015fiirsel evrende bulu\u015ftu\u011fu \u00f6nemli eserlerden biri olarak \u00f6ne \u00e7\u0131kt\u0131.<\/span><\/p>\n

\u201cS\u0131cak Nal\u201d ve \u201cG\u00fcz Bitigi\u201d, \u015fairin olgunluk d\u00f6nemindeki \u015fiirsel aray\u0131\u015flar\u0131n\u0131 g\u00f6steren iki \u00f6nemli kitap oldu. \u201cSevda S\u00f6zleri\u201d ise Cemal S\u00fcreya\u2019n\u0131n \u015fiirini geni\u015f kitlelere ula\u015ft\u0131ran, farkl\u0131 ku\u015faklar\u0131n ayn\u0131 duygu etraf\u0131nda bulu\u015fmas\u0131n\u0131 sa\u011flayan en bilinen eserlerinden biri haline geldi.<\/span><\/p>\n

\u015eiirlerinin yan\u0131 s\u0131ra deneme, ele\u015ftiri, g\u00fcnl\u00fck, antoloji ve \u00e7eviri t\u00fcrlerinde de eserler veren Cemal S\u00fcreya, edebiyat d\u00fcnyas\u0131nda \u00e7ok y\u00f6nl\u00fc bir ayd\u0131n olarak yer edindi. \u201c\u015eapkam Dolu \u00c7i\u00e7ekle\u201d, \u201cG\u00fcn\u00fcbirlikler\u201d, \u201cG\u00fcnler\u201d, \u201cFolklor \u015eiire D\u00fc\u015fman\u201d, \u201cPapir\u00fcs\u2019ten Ba\u015fyaz\u0131lar\u201d, \u201cAritmetik \u0130yi Ku\u015flar Pekiyi\u201d gibi eserleri onun yaln\u0131zca \u015fiirde de\u011fil, d\u00fc\u015f\u00fcnce ve edebiyat yaz\u0131lar\u0131nda da g\u00fc\u00e7l\u00fc bir kalem oldu\u011funu g\u00f6sterdi.<\/span><\/p>\n

A\u015fk\u0131 S\u00fcslemeden G\u00fczelle\u015ftiren \u015eair<\/strong><\/span><\/p>\n

Cemal S\u00fcreya\u2019n\u0131n \u015fiirinde a\u015fk, g\u00f6steri\u015fli c\u00fcmlelerin ard\u0131na saklanmaz. Onun a\u015fk\u0131 yal\u0131nd\u0131r; ama basit de\u011fildir. K\u0131sa g\u00f6r\u00fcn\u00fcr; ama derindir. Bazen tek bir kelime, bazen yar\u0131m kalm\u0131\u015f bir c\u00fcmle, bazen de suskunlu\u011fun kendisi \u015fiirin merkezine yerle\u015fir.<\/span><\/p>\n

Onda a\u015fk, yaln\u0131zca romantik bir duygu de\u011fildir. Bir varolu\u015f bi\u00e7imidir. \u0130nsan sevdi\u011fi ki\u015fiye bakarken kendini de g\u00f6r\u00fcr. Kendi eksikli\u011fini, kendi yaln\u0131zl\u0131\u011f\u0131n\u0131, kendi \u00e7ocuklu\u011funu, kendi yenilgisini fark eder.<\/span><\/p>\n

Bu y\u00fczden Cemal S\u00fcreya\u2019n\u0131n \u015fiirlerinde sevda, \u00e7o\u011fu zaman bir i\u00e7 hesapla\u015fmaya d\u00f6n\u00fc\u015f\u00fcr. Sevilen ki\u015fi yaln\u0131zca sevilen biri olarak kalmaz; y\u00fcz\u00fcyle, bak\u0131\u015f\u0131yla, susu\u015fuyla, yoklu\u011fuyla ve b\u0131rakt\u0131\u011f\u0131 bo\u015flukla \u015fiirin b\u00fct\u00fcn atmosferini kurar.<\/span><\/p>\n

Onun \u015fiirinde k\u0131rg\u0131nl\u0131k vard\u0131r ama kabal\u0131k yoktur. Sitem vard\u0131r ama inceli\u011fini kaybetmez. \u00d6zlem vard\u0131r ama kendini ba\u011f\u0131rarak g\u00f6stermez. Cemal S\u00fcreya, a\u015fk\u0131 b\u00fcy\u00fctmek i\u00e7in onu abartmaz; aksine azalt\u0131r, sadele\u015ftirir, yo\u011funla\u015ft\u0131r\u0131r. Bu y\u00fczden onun \u015fiiri okurun kalbine sessizce girer ve orada uzun s\u00fcre kal\u0131r.<\/span><\/p>\n

G\u00f6zlerin Dili, Kalbin Sessizli\u011fi<\/strong><\/span><\/p>\n

\u201cBelki de konu\u015fuyordur g\u00f6zlerin,<\/span>
\nama ben g\u00f6zce bilmiyorum ki…<\/span>
\nsessizce biliyorum,<\/span>
\nusulca biliyorum,<\/span>
\nmasumca biliyorum…\u201d<\/span><\/p>\n

Cemal S\u00fcreya\u2019n\u0131n \u015fiir ikliminde a\u015fk \u00e7o\u011fu zaman s\u00f6zden \u00f6nce bak\u0131\u015fta ba\u015flar. \u0130nsan bazen sevdi\u011finin g\u00f6zlerinde bir anlam arar; fakat o anlam\u0131 \u00e7\u00f6zmeye dili yetmez. G\u00f6zler konu\u015fur, kalp duyar, ama kelimeler eksik kal\u0131r.<\/span><\/p>\n

Bu eksiklik, S\u00fcreya \u015fiirinin en g\u00fc\u00e7l\u00fc damarlar\u0131ndan biridir. O, her \u015feyi a\u00e7\u0131klayan bir \u015fair de\u011fildir. Okura bo\u015fluklar b\u0131rak\u0131r. S\u00f6ylenmeyenin a\u011f\u0131rl\u0131\u011f\u0131n\u0131 hissettirir. Bir bak\u0131\u015f\u0131n, bir susu\u015fun, bir yar\u0131m c\u00fcmlenin bazen uzun uzun anlat\u0131lan bir hik\u00e2yeden daha g\u00fc\u00e7l\u00fc olabilece\u011fini g\u00f6sterir.<\/span><\/p>\n

Cemal S\u00fcreya\u2019n\u0131n \u015fiiri bu nedenle yaln\u0131zca okunan bir metin de\u011fil, hissedilen bir i\u00e7 konu\u015fmad\u0131r. Okur onun dizelerinde kendi yar\u0131m kalm\u0131\u015f c\u00fcmlelerini, kendi suskunluklar\u0131n\u0131, kendi i\u00e7ine saklad\u0131\u011f\u0131 \u00f6zlemleri bulur.<\/span><\/p>\n

\u201cD\u00f6kmeye Niyetim Yok \u0130\u00e7imi\u2026\u201d<\/strong><\/span><\/p>\n

\u201cD\u00f6kmeye niyetim yok i\u00e7imi…<\/span>
\nzor s\u0131\u011fd\u0131rd\u0131m zaten.<\/span>
\n\u00f6zledim.<\/span>
\ns\u00f6yleyeceklerim bu kadar…<\/span>
\nk\u0131sa ve derin.\u201d<\/span><\/p>\n

Bu b\u00f6l\u00fcm, Cemal S\u00fcreya\u2019y\u0131 hat\u0131rlatan en temel \u015fiirsel duygulardan birini ta\u015f\u0131r: Az s\u00f6zle \u00e7ok \u015fey anlatmak.<\/span><\/p>\n

\u00d6zlem bazen uzun uzun anlat\u0131lacak bir duygu de\u011fildir. Bazen tek kelime yeter: \u201c\u00d6zledim.\u201d Bu tek kelimenin i\u00e7inde bir ayr\u0131l\u0131k, bir bekleyi\u015f, bir k\u0131rg\u0131nl\u0131k, bir kabulleni\u015f ve insan\u0131n i\u00e7ine zor s\u0131\u011fd\u0131rd\u0131\u011f\u0131 koca bir d\u00fcnya vard\u0131r.<\/span><\/p>\n

Cemal S\u00fcreya da T\u00fcrk\u00e7eyi \u00e7o\u011faltarak de\u011fil, yo\u011funla\u015ft\u0131rarak kullanan bir \u015fairdir. Onun dizelerinde kelime kalabal\u0131\u011f\u0131 yoktur; anlam derinli\u011fi vard\u0131r. Bir bak\u0131\u015f\u0131, bir kad\u0131n\u0131, bir ayr\u0131l\u0131\u011f\u0131, bir \u00e7ocukluk yaras\u0131n\u0131 ve insan\u0131n i\u00e7indeki o sakl\u0131 k\u0131r\u0131lganl\u0131\u011f\u0131 birka\u00e7 dizeye s\u0131\u011fd\u0131rabilir.<\/span><\/p>\n

\u201cK\u0131sa ve derin\u201d ifadesi, onun \u015fiir anlay\u0131\u015f\u0131n\u0131 da \u00f6zetler gibidir. \u00c7\u00fcnk\u00fc Cemal S\u00fcreya \u015fiiri fazla ba\u011f\u0131rmaz; ama okuyan insan\u0131n i\u00e7inde uzun s\u00fcre yank\u0131lan\u0131r.<\/span><\/p>\n

\u00c7ocukluktan A\u015fka, A\u015fktan Hayata Uzanan Bir S\u0131z\u0131<\/strong><\/span><\/p>\n

\u201cBu arada<\/span>
\n\u2018kimse benimle oynam\u0131yor\u2019 diye a\u011flayan \u00e7ocuk<\/span>
\nsen b\u00fcy\u00fc hele<\/span>
\nne oyunlar oynayacaklar seninle.\u201d<\/span><\/p>\n

Bu dizelerde a\u015fk\u0131n ki\u015fisel k\u0131rg\u0131nl\u0131\u011f\u0131, hayat\u0131n daha b\u00fcy\u00fck k\u0131rg\u0131nl\u0131\u011f\u0131na a\u00e7\u0131l\u0131r. \u00c7ocuklukta oyuna al\u0131nmaman\u0131n masum ac\u0131s\u0131, b\u00fcy\u00fcd\u00fck\u00e7e insan\u0131n kar\u015f\u0131la\u015faca\u011f\u0131 daha sert oyunlar\u0131n habercisi olur.<\/span><\/p>\n

Cemal S\u00fcreya\u2019n\u0131n \u015fiirinde \u00e7ocukluk, yaln\u0131zca geride kalm\u0131\u015f masum bir d\u00f6nem de\u011fildir. \u00c7ocukluk, insan\u0131n i\u00e7indeki en korunmas\u0131z yer, ilk yaln\u0131zl\u0131k, ilk yara ve ilk eksiklik duygusudur. B\u00fcy\u00fcmek ise \u00e7o\u011fu zaman bu masumiyetin hayat taraf\u0131ndan s\u0131nanmas\u0131d\u0131r.<\/span><\/p>\n

Onun kendi hayat\u0131ndaki \u00e7ocukluk izleri de \u015fiirinde hissedilir. Erken ya\u015fta ya\u015fanan kay\u0131plar, yat\u0131l\u0131 okul y\u0131llar\u0131, g\u00f6\u00e7 ve i\u00e7e i\u015fleyen yaln\u0131zl\u0131k; Cemal S\u00fcreya\u2019n\u0131n \u015fiirinde sadece ki\u015fisel bir hat\u0131ra olarak de\u011fil, insanl\u0131k haline d\u00f6n\u00fc\u015fm\u00fc\u015f bir duygu olarak kar\u015f\u0131m\u0131za \u00e7\u0131kar.<\/span><\/p>\n

Bu nedenle onun \u015fiirinde a\u015fk, \u00e7ocukluktan ba\u011f\u0131ms\u0131z de\u011fildir. Sevda, insan\u0131n ilk yaralar\u0131yla birlikte b\u00fcy\u00fcr. Yaln\u0131zl\u0131k yaln\u0131zca bug\u00fcn\u00fcn duygusu de\u011fil; ge\u00e7mi\u015ften gelen bir tortudur. \u00d6zlem ise bazen bir ki\u015fiye, bazen kaybedilmi\u015f bir zamana, bazen de insan\u0131n i\u00e7indeki eski \u00e7ocu\u011fa duyulur.<\/span><\/p>\n

Kad\u0131n\u0131, A\u015fk\u0131 ve \u0130nsanl\u0131\u011f\u0131 Anlatan B\u00fcy\u00fck Ses<\/strong><\/span><\/p>\n

\u201cVe bug\u00fcn bir kez daha anlad\u0131m<\/span>
\nadaml\u0131\u011f\u0131 kad\u0131nlardan \u00f6\u011frenecek erkek \u00e7ok…\u201d<\/span><\/p>\n

Cemal S\u00fcreya\u2019n\u0131n \u015fiirinde kad\u0131n, yaln\u0131zca a\u015fk\u0131n nesnesi de\u011fildir. Kad\u0131n; hayat\u0131n merkezinde duran, erke\u011fin eksikli\u011fini g\u00f6steren, insan\u0131n kendini tan\u0131mas\u0131na imk\u00e2n veren g\u00fc\u00e7l\u00fc bir varl\u0131kt\u0131r.<\/span><\/p>\n

Onun \u015fiirlerinde kad\u0131n kimi zaman tutkunun, kimi zaman zarafetin, kimi zaman \u00f6zg\u00fcrl\u00fc\u011f\u00fcn, kimi zaman da insan\u0131n i\u00e7 d\u00fcnyas\u0131n\u0131 a\u00e7\u0131\u011fa \u00e7\u0131karan b\u00fcy\u00fck bir aynan\u0131n kar\u015f\u0131l\u0131\u011f\u0131d\u0131r. Cemal S\u00fcreya, bir kad\u0131na bakarken yaln\u0131zca bir y\u00fcz\u00fc anlatmaz; o y\u00fcz\u00fcn etraf\u0131nda kurulan b\u00fct\u00fcn bir hayat duygusunu anlat\u0131r.<\/span><\/p>\n

Bu y\u00fczden onun a\u015fk \u015fiirleri yaln\u0131zca romantik metinler de\u011fildir. Ayn\u0131 zamanda insan\u0131, toplumu, erkekli\u011fi, kad\u0131nl\u0131\u011f\u0131 ve hayat\u0131n duygusal terbiyesini d\u00fc\u015f\u00fcnd\u00fcren metinlerdir.<\/span><\/p>\n

Cemal S\u00fcreya\u2019da kad\u0131n, \u015fiirin merkezinde edilgen bir fig\u00fcr olarak durmaz. Aksine \u015fiiri harekete ge\u00e7iren, dili de\u011fi\u015ftiren, insan\u0131n kendisiyle y\u00fczle\u015fmesini sa\u011flayan bir varl\u0131kt\u0131r. Onun \u015fiirlerinde a\u015fk\u0131n g\u00fczelli\u011fi kadar a\u015fk\u0131n zorlu\u011fu, sevmenin inceli\u011fi kadar sevilmemenin a\u011f\u0131rl\u0131\u011f\u0131 da vard\u0131r.<\/span><\/p>\n

S\u00fcrg\u00fcn, Yaln\u0131zl\u0131k ve \u0130\u00e7 K\u0131r\u0131lganl\u0131k<\/strong><\/span><\/p>\n

Cemal S\u00fcreya\u2019n\u0131n \u015fiirini yaln\u0131zca a\u015fk \u00fczerinden okumak eksik olur. Onun \u015fiirinde a\u015fk kadar s\u00fcrg\u00fcn, yaln\u0131zl\u0131k, \u00e7ocukluk yaras\u0131, toplumsal haf\u0131za ve hayat\u0131n sertli\u011fi de vard\u0131r.<\/span><\/p>\n

Kendi hayat\u0131ndaki g\u00f6\u00e7, erken kay\u0131plar, yat\u0131l\u0131 okul y\u0131llar\u0131 ve memuriyet tecr\u00fcbesi; onun \u015fiirinde hem bireysel hem de toplumsal bir derinlik olu\u015fturdu. Bu nedenle Cemal S\u00fcreya\u2019n\u0131n dizeleri yaln\u0131zca sevdaya de\u011fil, insan\u0131n d\u00fcnyadaki yer aray\u0131\u015f\u0131na da dokunur.<\/span><\/p>\n

O, ac\u0131y\u0131 b\u00fcy\u00fcterek de\u011fil, incelterek anlat\u0131r. Yaln\u0131zl\u0131\u011f\u0131 ba\u011f\u0131rarak de\u011fil, susarak duyurur. A\u015fk\u0131 s\u00fcsleyerek de\u011fil, sadele\u015ftirerek g\u00fczelle\u015ftirir. Bu y\u00fczden onun \u015fiiri hem entelekt\u00fcel bir incelik hem de \u00e7ocuk safl\u0131\u011f\u0131 ta\u015f\u0131r.<\/span><\/p>\n

Cemal S\u00fcreya\u2019n\u0131n \u015fiirinde insan hem g\u00fc\u00e7l\u00fc hem k\u0131r\u0131lgand\u0131r. Severken yenilir, susarken konu\u015fur, giderken kal\u0131r, unutmak isterken daha \u00e7ok hat\u0131rlar. Onun \u015fiiri tam da bu \u00e7eli\u015fkilerden do\u011far.<\/span><\/p>\n

Papir\u00fcs ve Edebiyat\u0131n Merkezindeki \u015eair<\/strong><\/span><\/p>\n

Cemal S\u00fcreya yaln\u0131zca \u015fiirleriyle de\u011fil, dergicili\u011fi, denemeleri, ele\u015ftirileri ve \u00e7evirileriyle de T\u00fcrk edebiyat\u0131nda \u00f6nemli bir yer edindi. \u201cPapir\u00fcs\u201d dergisi, onun edebiyat d\u00fcnyas\u0131ndaki etkisini b\u00fcy\u00fcten \u00f6nemli yay\u0131nlardan biri oldu.<\/span><\/p>\n

Papir\u00fcs, yaln\u0131zca bir dergi de\u011fil; d\u00f6nemin edebiyat tart\u0131\u015fmalar\u0131n\u0131n, yeni \u015fiir aray\u0131\u015flar\u0131n\u0131n ve modern T\u00fcrk edebiyat\u0131ndaki g\u00fc\u00e7l\u00fc seslerin bulu\u015fma alanlar\u0131ndan biri olarak \u00f6nem kazand\u0131.<\/span><\/p>\n

Cemal S\u00fcreya, dergicilik faaliyetleriyle \u015fiirin yaln\u0131zca bireysel bir \u00fcretim de\u011fil, ayn\u0131 zamanda d\u00fc\u015f\u00fcnsel ve k\u00fclt\u00fcrel bir alan oldu\u011funu da g\u00f6sterdi. \u015eair kimli\u011finin yan\u0131nda ele\u015ftirmen ve denemeci y\u00f6n\u00fcyle de edebiyat \u00fczerine d\u00fc\u015f\u00fcnen, tart\u0131\u015fan ve y\u00f6n g\u00f6steren bir ayd\u0131n olarak \u00f6ne \u00e7\u0131kt\u0131.<\/span><\/p>\n

Sosyal Medyada Ya\u015fayan Cemal S\u00fcreya<\/strong><\/span><\/p>\n

Cemal S\u00fcreya bug\u00fcn yaln\u0131zca kitap raflar\u0131nda de\u011fil, sosyal medyada da ya\u015famaya devam ediyor. Onun ad\u0131, a\u015fk\u0131 incelikle anlatan k\u0131sa c\u00fcmlelerle, yaln\u0131zl\u0131\u011f\u0131 zarif\u00e7e ifade eden metinlerle, ayr\u0131l\u0131\u011f\u0131n ve \u00f6zlemin kalbe dokunan s\u00f6zleriyle s\u0131k s\u0131k an\u0131l\u0131yor.<\/span><\/p>\n

Bazen bir ayr\u0131l\u0131\u011f\u0131n ard\u0131ndan, bazen bir \u00f6zlem gecesinde, bazen de anlat\u0131lamayan bir duygunun yerine onun ad\u0131 ve \u015fiir dili hat\u0131rlan\u0131yor. Bu durum, Cemal S\u00fcreya\u2019n\u0131n yaln\u0131zca yazd\u0131klar\u0131yla de\u011fil, olu\u015fturdu\u011fu edeb\u00ee iklimle de ya\u015famay\u0131 s\u00fcrd\u00fcrd\u00fc\u011f\u00fcn\u00fc g\u00f6steriyor.<\/span><\/p>\n

\u00c7\u00fcnk\u00fc okur, a\u015fk\u0131 incelikle anlatan, k\u0131rg\u0131nl\u0131\u011f\u0131 zarif bir c\u00fcmleye d\u00f6n\u00fc\u015ft\u00fcren, kad\u0131n\u0131 ve yaln\u0131zl\u0131\u011f\u0131 derin bir duyguyla ele alan her metinde Cemal S\u00fcreya\u2019n\u0131n sesini duymaya devam ediyor.<\/span><\/p>\n

Bu noktada Cemal S\u00fcreya\u2019n\u0131n etkisi, klasik anlamda bir \u015fair etkisinin \u00f6tesine ge\u00e7iyor. O, okurun duygu dilini de bi\u00e7imlendiren bir isim haline geliyor. \u0130nsanlar bazen kendi s\u00f6yleyemediklerini onun \u015fiir ikliminde buluyor. Kendi \u00f6zlemlerine onun diliyle bak\u0131yor. Kendi k\u0131rg\u0131nl\u0131klar\u0131n\u0131 onun zarafetiyle ifade ediyor.<\/span><\/p>\n

T\u00fcrk\u00e7enin Kalbine B\u0131rak\u0131lm\u0131\u015f \u0130nce Bir \u0130z<\/strong><\/span><\/p>\n

Cemal S\u00fcreya\u2019y\u0131 kal\u0131c\u0131 yapan \u015fey, yaln\u0131zca b\u00fcy\u00fck \u015fiirler yazm\u0131\u015f olmas\u0131 de\u011fildir. Onu unutulmaz k\u0131lan, T\u00fcrk\u00e7enin i\u00e7inde kendine ait bir duygu alan\u0131 a\u00e7mas\u0131d\u0131r.<\/span><\/p>\n

Onun \u015fiirinde kelimeler sert de\u011fildir; ama etkisi g\u00fc\u00e7l\u00fcd\u00fcr. Dizeler uzun nutuklara d\u00f6n\u00fc\u015fmez; ama insan\u0131n i\u00e7ini yoklar. Bir \u015fiiri okurken bazen bir a\u015fka, bazen bir ayr\u0131l\u0131\u011fa, bazen \u00e7ocuklukta kalm\u0131\u015f bir eksikli\u011fe, bazen de insan\u0131n kendine bile itiraf edemedi\u011fi bir yaln\u0131zl\u0131\u011fa rastlan\u0131r.<\/span><\/p>\n

Cemal S\u00fcreya, kelimeleri bir kuyumcu titizli\u011fiyle i\u015fleyen \u015fairdir. Bir dizeyi yaln\u0131zca anlam\u0131yla de\u011fil, sesiyle, ritmiyle ve b\u0131rakt\u0131\u011f\u0131 bo\u015flukla kurar. Bu y\u00fczden onun \u015fiiri, okurda yaln\u0131zca anlam olarak de\u011fil, duygu olarak da kal\u0131r.<\/span><\/p>\n

Cemal S\u00fcreya H\u00e2l\u00e2 Neden Okunuyor?<\/strong><\/span><\/p>\n

Cemal S\u00fcreya\u2019n\u0131n bug\u00fcn h\u00e2l\u00e2 okunmas\u0131n\u0131n en \u00f6nemli nedeni, onun \u015fiirinin eskimemesidir. \u00c7\u00fcnk\u00fc insan\u0131n a\u015fk\u0131, \u00f6zlemi, k\u0131rg\u0131nl\u0131\u011f\u0131, yaln\u0131zl\u0131\u011f\u0131 ve sevilme ihtiyac\u0131 de\u011fi\u015fmez.<\/span><\/p>\n

Yeni ku\u015faklar da onun dizelerinde kendilerine ait bir duygu bulur. Bazen bir ayr\u0131l\u0131\u011f\u0131, bazen bir \u00f6zlemi, bazen de s\u00f6yleyemedikleri bir c\u00fcmleyi onun \u015fiirinde g\u00f6r\u00fcrler.<\/span><\/p>\n

Cemal S\u00fcreya, T\u00fcrk \u015fiirine yaln\u0131zca g\u00fczel dizeler b\u0131rakmad\u0131. Ayn\u0131 zamanda a\u015fk\u0131 daha incelikli d\u00fc\u015f\u00fcnmeyi, yaln\u0131zl\u0131\u011f\u0131 daha derin hissetmeyi ve insan\u0131 daha zarif bir yerden anlamay\u0131 \u00f6\u011fretti.<\/span><\/p>\n

Bug\u00fcn onun ad\u0131 an\u0131ld\u0131\u011f\u0131nda akla h\u00e2l\u00e2 bir g\u00fcl\u00fc\u015f, bir bak\u0131\u015f, bir kad\u0131n, bir ayr\u0131l\u0131k, bir \u00e7ocukluk s\u0131z\u0131s\u0131 ve kalbe dokunan k\u0131sa ama derin c\u00fcmleler geliyor.<\/span><\/p>\n

\u00c7\u00fcnk\u00fc Cemal S\u00fcreya, kalbin akl\u0131yla yazan adamd\u0131r.<\/span><\/p>\n

A\u015fk\u0131 entelekt\u00fcel bir incelikle, yaln\u0131zl\u0131\u011f\u0131 \u00e7ocuk safl\u0131\u011f\u0131yla, hayat\u0131 ise hem alayc\u0131 hem h\u00fcz\u00fcnl\u00fc bir bak\u0131\u015fla anlatan b\u00fcy\u00fck bir T\u00fcrk\u00e7e ustas\u0131d\u0131r.<\/span><\/p>\n

Bir g\u00fcl\u00fc\u015ften \u015fiir \u00e7\u0131karan, bir bak\u0131\u015ftan \u00f6m\u00fcrl\u00fck s\u0131z\u0131 yapan, T\u00fcrk\u00e7eyi a\u015fk\u0131n ve yaln\u0131zl\u0131\u011f\u0131n en ince sesiyle bulu\u015fturan \u015fairdir.<\/span><\/p>\n

Ve belki de bu y\u00fczden Cemal S\u00fcreya, yaln\u0131zca okunmaz; insan\u0131n i\u00e7inde ya\u015famaya devam eder.<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

A\u015fk\u0131 s\u00fcslemeden g\u00fczelle\u015ftiren, yaln\u0131zl\u0131\u011f\u0131 ba\u011f\u0131rmadan duyuran, kad\u0131n\u0131 ve insan\u0131n i\u00e7 k\u0131r\u0131lganl\u0131\u011f\u0131n\u0131 T\u00fcrk\u00e7enin en incelikli sesiyle anlatan Cemal S\u00fcreya, y\u0131llar ge\u00e7se de dizeleriyle okurun kalbinde ya\u015famaya devam ediyor.<\/p>\n","protected":false},"author":2,"featured_media":34622,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[11925,1053,11926,11927,11520],"class_list":["post-34621","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-cemalsureya","tag-edebiyat","tag-ikinciyeni","tag-sevdasozleri","tag-turksiiri"],"yoast_head":"\nCemal S\u00fcreya: T\u00fcrk\u00e7enin En Zarif Yaras\u0131, Bir G\u00fcl\u00fc\u015ften \u015eiir \u00c7\u0131karan B\u00fcy\u00fck Usta - Merceknet Haber<\/title>\n<meta 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