T\u00fcrk \u015fiirinde baz\u0131 \u015fairler vard\u0131r; uzun c\u00fcmleler kurmadan insan\u0131n en derin yerine dokunur. \u00d6zdemir Asaf, bu \u015fairlerin ba\u015f\u0131nda gelir. Onun \u015fiiri, g\u00f6steri\u015fli imgelerin de\u011fil; sade, keskin, d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015f ve i\u00e7e i\u015fleyen s\u00f6zlerin \u015fiiridir. A\u015fk\u0131 yaln\u0131zca romantik bir duygu olarak de\u011fil, insan\u0131n i\u00e7inde saklad\u0131\u011f\u0131 bir s\u0131r; yaln\u0131zl\u0131\u011f\u0131 yaln\u0131zca tek ba\u015f\u0131na kalmak olarak de\u011fil, varolu\u015fun en sessiz y\u00fcz\u00fc; susmay\u0131 ise bazen b\u00fct\u00fcn s\u00f6zlerden daha a\u011f\u0131r bir anlat\u0131m bi\u00e7imi olarak ele al\u0131r.<\/p>\n
As\u0131l ad\u0131 Halit \u00d6zdemir Arun<\/strong> olan \u00d6zdemir Asaf, 11 Haziran 1923\u2019te Ankara\u2019da<\/strong> do\u011fdu. Galatasaray Lisesi ve Kabata\u015f Erkek Lisesi\u2019nde \u00f6\u011frenim g\u00f6rd\u00fc; daha sonra hukuk, iktisat ve gazetecilik alanlar\u0131nda e\u011fitim ald\u0131. Gen\u00e7lik y\u0131llar\u0131ndan itibaren yaz\u0131, \u00e7eviri, yay\u0131nc\u0131l\u0131k ve matbaac\u0131l\u0131kla ilgilendi. \u0130lk yaz\u0131s\u0131 Servet-i F\u00fcn\u00fbn\/Uyan\u0131\u015f dergisinde yay\u0131mlanan Asaf, zamanla \u00e7a\u011fda\u015f T\u00fcrk \u015fiirinin kendine has sesi olan isimlerinden biri h\u00e2line geldi.<\/p>\n \u00d6zdemir Asaf\u2019\u0131n edebiyat ser\u00fcveni yaln\u0131zca \u015fiir yazmakla s\u0131n\u0131rl\u0131 de\u011fildi. O, ayn\u0131 zamanda kitab\u0131n maddi d\u00fcnyas\u0131n\u0131 da bilen bir isimdi. 1951\u2019de Sanat Bas\u0131mevi\u2019ni kurarak matbaac\u0131l\u0131\u011fa ba\u015flad\u0131<\/strong> ve kitaplar\u0131n\u0131 Yuvarlak Masa Yay\u0131nlar\u0131<\/strong> ad\u0131 alt\u0131nda yay\u0131mlad\u0131. Bu y\u00f6n\u00fcyle Asaf, kelimenin yaln\u0131zca anlam\u0131n\u0131 de\u011fil, k\u00e2\u011f\u0131da d\u00fc\u015f\u00fc\u015f\u00fcn\u00fc, bask\u0131daki yerini, kitab\u0131n okura ula\u015fma ser\u00fcvenini de \u00f6nemseyen bir edebiyat insan\u0131yd\u0131.<\/p>\n Onun \u015fiirindeki \u00f6l\u00e7\u00fcl\u00fcl\u00fck, bo\u015fluk duygusu ve yo\u011funluk belki de biraz buradan gelir. \u00d6zdemir Asaf, kelimeyi rastgele kullanmaz. Bir dizeyi uzatmak yerine k\u0131salt\u0131r; a\u00e7\u0131klamak yerine sezdirir; duyguyu b\u00fcy\u00fctmek yerine okurun i\u00e7ine b\u0131rak\u0131r.<\/p>\n \u00d6zdemir Asaf, 28 Ocak 1981\u2019de \u0130stanbul\u2019da hayat\u0131n\u0131 kaybetti<\/strong>. Ard\u0131nda, T\u00fcrk \u015fiirinde h\u00e2l\u00e2 okunan, al\u0131nt\u0131lanan, tart\u0131\u015f\u0131lan ve yeni ku\u015faklara ula\u015fan g\u00fc\u00e7l\u00fc bir edebiyat miras\u0131 b\u0131rakt\u0131.<\/p>\n \u00d6zdemir Asaf\u2019\u0131n \u015fiirleri ve yaz\u0131lar\u0131, onun edebiyat d\u00fcnyas\u0131n\u0131n geni\u015fli\u011fini g\u00f6sterir. D\u00fcnya Ka\u00e7t\u0131 G\u00f6z\u00fcme<\/strong>, Sen Sen Sen<\/strong>, Bir Kap\u0131 \u00d6n\u00fcnde<\/strong>, Yumu\u015fakl\u0131klar De\u011fil<\/strong>, Nas\u0131ls\u0131n<\/strong>, \u00c7i\u00e7ekleri Yemeyin<\/strong>, Yaln\u0131zl\u0131k Payla\u015f\u0131lmaz<\/strong> ve Benden Sonra Mutluluk<\/strong> gibi kitaplar\u0131, \u015fairin hem a\u015fk\u0131 hem yaln\u0131zl\u0131\u011f\u0131 hem de insan ili\u015fkilerindeki \u00e7eli\u015fkileri nas\u0131l kendine \u00f6zg\u00fc bir dille anlatt\u0131\u011f\u0131n\u0131 ortaya koyar.<\/p>\n Yap\u0131 Kredi Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131mlanan B\u00fct\u00fcn Eserleri<\/strong>, \u00d6zdemir Asaf\u2019\u0131n \u015fiirlerinin topland\u0131\u011f\u0131 \u00c7i\u00e7ek Senfonisi<\/strong> ve Benden Sonra Mutluluk<\/strong> ile etikalar\u0131n\u0131n, \u00f6yk\u00fclerinin ve denemelerinin topland\u0131\u011f\u0131 K\u0131r\u0131lmad\u0131k Bir \u015eey Kalmad\u0131<\/strong> kitaplar\u0131ndan olu\u015fur. Yay\u0131nevi, Asaf\u2019\u0131 \u201c\u015fiirlerinin \u00f6z\u00fc ve sesiyle, d\u00fczyaz\u0131daki k\u0131vrakl\u0131\u011f\u0131yla, d\u00f6nemlerin ve ak\u0131mlar\u0131n \u00f6tesinde bir yazar\u201d olarak tan\u0131mlar.<\/p>\n \u00d6zdemir Asaf\u2019\u0131n \u015fiirini kal\u0131c\u0131 k\u0131lan en \u00f6nemli \u00f6zelliklerden biri, az s\u00f6zle geni\u015f bir anlam alan\u0131 kurabilmesidir. Onun dizeleri \u00e7o\u011fu zaman ilk bak\u0131\u015fta sade g\u00f6r\u00fcn\u00fcr; fakat okur \u015fiirin i\u00e7inde biraz kald\u0131\u011f\u0131nda, o sadeli\u011fin arkas\u0131nda a\u011f\u0131r bir duygu, d\u00fc\u015f\u00fcnsel bir gerilim ve ince bir ironi oldu\u011funu fark eder.<\/p>\n Asaf\u2019\u0131n \u015fiirinde a\u015fk \u00e7o\u011fu zaman tamamlanm\u0131\u015f bir kavu\u015fma de\u011fildir. Bazen saklanan, bazen bekleyen, bazen de susarak derinle\u015fen bir duygudur. Yaln\u0131zl\u0131k ise sadece kalabal\u0131klardan uzak durmak de\u011fildir; insan\u0131n kendi i\u00e7inde ta\u015f\u0131d\u0131\u011f\u0131 ve ba\u015fkas\u0131na b\u00fct\u00fcn\u00fcyle anlatamad\u0131\u011f\u0131 bir hakikattir.<\/p>\n Bu nedenle \u00d6zdemir Asaf \u015fiiri, okura yaln\u0131zca bir duygu vermez; okuru kendi i\u00e7ine \u00e7eker. Onun \u015fiirlerinde insan, sevdi\u011fini, kaybetti\u011fini, sustu\u011funu, saklad\u0131\u011f\u0131n\u0131 ve s\u00f6yleyemedi\u011fini yeniden d\u00fc\u015f\u00fcn\u00fcr.<\/p>\n \u00d6zdemir Asaf\u2019\u0131n \u015fiir d\u00fcnyas\u0131n\u0131 anlatmak i\u00e7in bu dosyada iki \u015fiir \u00f6ne \u00e7\u0131k\u0131yor: \u201cSeni Saklayaca\u011f\u0131m\u201d<\/strong> ve \u201cSusmak\u201d<\/strong>. Bu iki \u015fiir, \u015fairin yaln\u0131zca a\u015fk\u0131 de\u011fil, a\u015fk\u0131n i\u00e7indeki saklama duygusunu; yaln\u0131zca sessizli\u011fi de\u011fil, suskunlu\u011fun ta\u015f\u0131d\u0131\u011f\u0131 a\u011f\u0131r anlam\u0131 nas\u0131l i\u015fledi\u011fini g\u00f6sterir.<\/p>\n \u201cSeni Saklayaca\u011f\u0131m\u201d<\/strong>, \u00d6zdemir Asaf\u2019\u0131n a\u015fk\u0131 sahiplenme, g\u00f6sterme ya da y\u00fcksek sesle ilan etme bi\u00e7iminde de\u011fil; i\u00e7te korunan, saklanan ve zamana yay\u0131lan bir duygu olarak anlatt\u0131\u011f\u0131 \u015fiirlerinden biridir.<\/p>\n \u015eiirin giri\u015findeki k\u0131sa b\u00f6l\u00fcm, bu duygunun \u00f6z\u00fcn\u00fc ta\u015f\u0131r:<\/p>\n \u201cSeni saklayaca\u011f\u0131m inan<\/p>\n Yazd\u0131klar\u0131mda, \u00e7izdiklerimde<\/p>\n \u015eark\u0131lar\u0131mda, s\u00f6zlerimde.\u201d<\/p>\n Bu dizelerde a\u015fk, g\u00fcndelik hayat\u0131n i\u00e7inde g\u00f6r\u00fcnmeyen ama her \u015feye sinen bir varl\u0131\u011fa d\u00f6n\u00fc\u015f\u00fcr. \u015eair, sevdi\u011fini kalabal\u0131\u011f\u0131n \u00f6n\u00fcne \u00e7\u0131karmaz; onu yaz\u0131n\u0131n, sesin, hat\u0131ran\u0131n ve i\u00e7 d\u00fcnyan\u0131n i\u00e7inde saklar. Burada a\u015fk, bir sahiplenme de\u011fil; bir koruma bi\u00e7imidir.<\/p>\n \u015eiirin en g\u00fc\u00e7l\u00fc taraf\u0131, sevginin zamanla kaybolmayan, aksine insan\u0131n b\u00fct\u00fcn varl\u0131\u011f\u0131na yay\u0131lan bir h\u00e2l olarak verilmesidir. \u00d6zdemir Asaf, \u201cSeni Saklayaca\u011f\u0131m\u201dda a\u015fk\u0131 yaln\u0131zca bir duygu de\u011fil, bir ya\u015fama bi\u00e7imi h\u00e2line getirir. Sevilen ki\u015fi art\u0131k yaln\u0131zca kar\u015f\u0131da duran biri de\u011fildir; yaz\u0131lan sat\u0131rda, \u00e7izilen \u00e7izgide, s\u00f6ylenen s\u00f6zde ve bak\u0131\u015f\u0131n i\u00e7inde ya\u015famaya devam eden bir izdir.<\/p>\n “And\u0131r\u0131rs\u0131n beni bana, bana beni, \u00d6zdemir Asaf\u2019\u0131n derinlikli \u015fiirlerinden biri de \u201cSusmak\u201dt\u0131r. Bu \u015fiirde \u015fair, insan\u0131n insana duydu\u011fu ihtiyac\u0131, yak\u0131nl\u0131k arzusunu ve buna ra\u011fmen baz\u0131 \u015feylerin s\u00f6ze d\u00f6k\u00fclemeyi\u015fini yal\u0131n ama sars\u0131c\u0131 bir bi\u00e7imde anlat\u0131r.<\/p>\n \u015eiirin en \u00e7arp\u0131c\u0131 k\u0131sa b\u00f6l\u00fcm\u00fc \u015f\u00f6yledir:<\/p>\n \u201cS\u00f6ylenemiyor \u00e7ok \u015fey<\/p>\n Susmadan..\u201d<\/p>\n Bu iki dize, \u00d6zdemir Asaf\u2019\u0131n \u015fiir anlay\u0131\u015f\u0131n\u0131 \u00e7ok g\u00fc\u00e7l\u00fc bi\u00e7imde yans\u0131t\u0131r. \u015eair burada susmay\u0131 bo\u015fluk olarak g\u00f6rmez. Aksine, susmak bazen s\u00f6z\u00fcn ta\u015f\u0131yamad\u0131\u011f\u0131 anlam\u0131 ta\u015f\u0131yan bir h\u00e2le gelir. \u0130nsan konu\u015farak a\u00e7\u0131klayamad\u0131\u011f\u0131n\u0131, bazen susarak daha derinden anlat\u0131r.<\/p>\n \u201cSusmak\u201d, yaln\u0131zl\u0131kla insan ihtiyac\u0131 aras\u0131ndaki ince \u00e7izgide durur. \u015eiirde bir insan\u0131n ba\u015fka bir insana duydu\u011fu aray\u0131\u015f vard\u0131r; fakat bu aray\u0131\u015f\u0131n kar\u015f\u0131s\u0131nda kelimelerin yetersizli\u011fi de hissedilir. Asaf\u2019\u0131n \u015fiiri burada okuru sessiz bir yere \u00e7a\u011f\u0131r\u0131r: S\u00f6ylenenlerden \u00e7ok, s\u00f6ylenemeyenlerin bulundu\u011fu yere.<\/p>\n \u00d6zdemir Asaf\u2019\u0131 yaln\u0131zca \u201ck\u0131sa \u015fiirler yazan \u015fair\u201d olarak g\u00f6rmek, onu eksik anlamak olur. Onun \u015fiirindeki k\u0131sal\u0131k, basitlik de\u011fildir; yo\u011funluktur. Her dize, fazlal\u0131klar\u0131ndan ar\u0131nd\u0131r\u0131lm\u0131\u015f bir duygu par\u00e7as\u0131 gibidir. Bu y\u00fczden Asaf\u2019\u0131n \u015fiiri \u00e7o\u011fu zaman okurun zihninde de\u011fil, do\u011frudan i\u00e7 d\u00fcnyas\u0131nda kar\u015f\u0131l\u0131k bulur.<\/p>\n \u201cSeni Saklayaca\u011f\u0131m\u201dda a\u015fk, i\u00e7te saklanan bir varl\u0131k olarak b\u00fcy\u00fcr. \u201cSusmak\u201dta ise insan, s\u00f6yleyemedi\u011fi \u015feylerin a\u011f\u0131rl\u0131\u011f\u0131yla g\u00f6r\u00fcn\u00fcr h\u00e2le gelir. Bu iki \u015fiir birlikte okundu\u011funda \u00d6zdemir Asaf\u2019\u0131n \u015fiir evrenindeki temel damar daha a\u00e7\u0131k g\u00f6r\u00fcl\u00fcr: \u0130nsan bazen en \u00e7ok sevdi\u011fini saklar, en \u00e7ok anlatmak istedi\u011fini de susarak anlat\u0131r.<\/p>\n \u00d6zdemir Asaf\u2019\u0131n bug\u00fcn h\u00e2l\u00e2 okunmas\u0131n\u0131n nedeni, \u015fiirlerinin yaln\u0131zca kendi d\u00f6nemine ait olmamas\u0131d\u0131r. O, insan\u0131n de\u011fi\u015fmeyen i\u00e7 meselelerine bakar: sevmek, beklemek, saklamak, susmak, k\u0131r\u0131lmak, yaln\u0131z kalmak, anla\u015f\u0131lmamak ve bazen de b\u00fct\u00fcn bunlar\u0131 birka\u00e7 kelimeyle kabullenmek.<\/p>\n Onun \u015fiirlerinde b\u00fcy\u00fck c\u00fcmleler yoktur; fakat b\u00fcy\u00fck bo\u015fluklar vard\u0131r. Okur, o bo\u015fluklar\u0131n i\u00e7ine kendi hayat\u0131ndan bir \u015fey yerle\u015ftirir. Belki de bu y\u00fczden \u00d6zdemir Asaf, yaln\u0131zca edebiyat tarihinin \u00f6nemli bir ad\u0131 de\u011fil; insanlar\u0131n i\u00e7 sesi h\u00e2line gelmi\u015f bir \u015fairdir.<\/p>\n","protected":false},"excerpt":{"rendered":" T\u00fcrk \u015fiirinin en \u00f6zg\u00fcn isimlerinden \u00d6zdemir Asaf, k\u0131sa ama sars\u0131c\u0131 dizeleriyle a\u015fk\u0131, yaln\u0131zl\u0131\u011f\u0131, suskunlu\u011fu ve insan\u0131n i\u00e7 d\u00fcnyas\u0131ndaki k\u0131r\u0131lmalar\u0131 anlatan b\u00fcy\u00fck bir edebiyat miras\u0131 b\u0131rakt\u0131.<\/p>\n","protected":false},"author":2,"featured_media":33235,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[1807,11522,1053,11519,11523,4109,11524,11520,9233,11521],"class_list":["post-33234","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-ask","tag-bendensonramutluluk","tag-edebiyat","tag-ozdemirasaf","tag-senisaklayacagim","tag-siir","tag-susmak","tag-turksiiri","tag-yalnizlik","tag-yalnizlikpaylasilmaz"],"yoast_head":"\nHarfle, k\u00e2\u011f\u0131tla ve matbaayla i\u00e7 i\u00e7e bir hayat<\/h2>\n
Eserleriyle ya\u015fayan bir \u015fiir d\u00fcnyas\u0131<\/h2>\n
Az s\u00f6zle b\u00fcy\u00fck anlam kuran \u015fair<\/h2>\n
\u0130nsan\u0131 i\u00e7ine alan iki \u015fiir: Seni Saklayaca\u011f\u0131m ve Susmak<\/h2>\n
Seni Saklayaca\u011f\u0131m: a\u015fk\u0131 g\u00f6r\u00fcnmez bir yerde ya\u015fatmak<\/h3>\n
\nDediklerinde, duyduklar\u0131nda,
\nYazd\u0131klar\u0131mda seni bana, bana seni,
\nS\u00f6ylemesem bile, saklamad\u0131klar\u0131mda.
\nAh hep akl\u0131mda, hep akl\u0131mda;
\nAnd\u0131r\u0131rs\u0131n seni sana, sana seni,
\nG\u00f6zlerinde, kulaklar\u0131nda, dudaklar\u0131nda.”<\/p>\nSusmak: s\u00f6ylenemeyenlerin \u015fiiri<\/h3>\n
\u00d6zdemir Asaf\u2019\u0131n \u015fiirindeki ruh: saklamak, susmak, eksilmek<\/h2>\n
Bug\u00fcn h\u00e2l\u00e2 neden okunuyor?<\/h2>\n