{"id":31031,"date":"2026-06-14T12:11:22","date_gmt":"2026-06-14T09:11:22","guid":{"rendered":"https:\/\/www.merceknet.com\/tr\/?p=31031"},"modified":"2026-06-14T12:11:22","modified_gmt":"2026-06-14T09:11:22","slug":"cemil-meric-bu-ulkenin-irfan-haritasini-yeniden-cizen-fikir-iscisi","status":"publish","type":"post","link":"https:\/\/www.merceknet.com\/tr\/2026\/06\/14\/cemil-meric-bu-ulkenin-irfan-haritasini-yeniden-cizen-fikir-iscisi\/","title":{"rendered":"Cemil Meri\u00e7: Bu \u00fclkenin irfan haritas\u0131n\u0131 yeniden \u00e7izen fikir i\u015f\u00e7isi"},"content":{"rendered":"

Hakikatin pe\u015finde ge\u00e7en bir \u00f6m\u00fcr<\/h2>\n

T\u00fcrk d\u00fc\u015f\u00fcnce ve edebiyat hayat\u0131n\u0131n \u00f6nemli isimlerinden Cemil Meri\u00e7, 12 Aral\u0131k 1916\u2019da Reyhaniye\u2019de, bug\u00fcnk\u00fc ad\u0131yla Reyhanl\u0131\u2019da d\u00fcnyaya geldi. Tam ad\u0131 H\u00fcseyin Cemil olan Meri\u00e7\u2019in ailesi, Balkan sava\u015flar\u0131 s\u0131ras\u0131nda 1912\u2019de Meri\u00e7 nehri yak\u0131nlar\u0131ndaki Dimetoka\u2019dan Antakya\u2019ya g\u00f6\u00e7 etmi\u015fti. Bu g\u00f6\u00e7 hik\u00e2yesi, onun hayat\u0131nda yaln\u0131zca aile ge\u00e7mi\u015finin bir par\u00e7as\u0131 olarak kalmad\u0131; ilerleyen y\u0131llarda medeniyet, kimlik, k\u00fclt\u00fcr ve aidiyet \u00fczerine geli\u015ftirdi\u011fi d\u00fc\u015f\u00fcncelerin de arka plan\u0131nda yer ald\u0131.<\/p>\n

Babas\u0131 Mahmud Niyazi Bey\u2019in g\u00f6revi nedeniyle \u00e7ocuklu\u011funun ilk y\u0131llar\u0131n\u0131 Antakya\u2019da ge\u00e7iren Meri\u00e7, e\u011fitim hayat\u0131na 1923\u2019te Reyhaniye R\u00fc\u015fdiyesi\u2019nde ba\u015flad\u0131. 1928\u2019de Antakya Sult\u00e2n\u00eesi\u2019ne devam etti. Frans\u0131z mandas\u0131 alt\u0131ndaki Antakya\u2019da e\u011fitim g\u00f6rmesi, onun erken ya\u015flarda farkl\u0131 k\u00fclt\u00fcrler, diller ve d\u00fc\u015f\u00fcnce \u00e7evreleriyle temas kurmas\u0131n\u0131 sa\u011flad\u0131. Bu temas, ileride hem Bat\u0131 edebiyat\u0131na hem de Do\u011fu irfan\u0131na y\u00f6nelen geni\u015f ufuklu bir d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131n\u0131n temelini olu\u015fturdu.<\/p>\n

Antakya\u2019dan \u0130stanbul\u2019a uzanan aray\u0131\u015f<\/h2>\n

Cemil Meri\u00e7\u2019in lise y\u0131llar\u0131, yaln\u0131zca \u00f6\u011frencilik d\u00f6nemi de\u011fil, ayn\u0131 zamanda fikr\u00ee ki\u015fili\u011finin \u015fekillenmeye ba\u015flad\u0131\u011f\u0131 y\u0131llard\u0131. Milliyet\u00e7i e\u011filimlerinin a\u011f\u0131r bast\u0131\u011f\u0131 lise son s\u0131n\u0131fta hocalar\u0131na y\u00f6neltti\u011fi ele\u015ftiriler nedeniyle bitirme s\u0131navlar\u0131na k\u0131sa s\u00fcre kala okuldan ayr\u0131lmak zorunda kald\u0131. 1936\u2019da \u0130stanbul\u2019a giderek Pertevniyal Lisesi\u2019nde \u00f6\u011frenimine devam etti. Bu d\u00f6nemde N\u00e2z\u0131m Hikmet ve Kerim Sadi gibi d\u00f6nemin solcu ayd\u0131nlar\u0131yla tan\u0131\u015fmas\u0131, onun fikir d\u00fcnyas\u0131nda yeni kap\u0131lar a\u00e7t\u0131.<\/p>\n

Ge\u00e7im s\u0131k\u0131nt\u0131s\u0131 nedeniyle ayn\u0131 y\u0131l Antakya\u2019ya d\u00f6nen Meri\u00e7, lise \u00f6\u011frenimini Antakya Sult\u00e2n\u00eesi\u2019nde tamamlad\u0131. K\u0131sa s\u00fcre \u00f6\u011fretmenlik yapt\u0131, \u0130skenderun Terc\u00fcme B\u00fcrosu\u2019nda ba\u015fkan yard\u0131mc\u0131l\u0131\u011f\u0131 g\u00f6revinde bulundu. Nahiye m\u00fcd\u00fcrl\u00fc\u011f\u00fc, T\u00fcrk Hava Kurumu\u2019nda sekreterlik ve belediyede k\u00e2tiplik gibi g\u00f6revler de \u00fcstlendi.<\/p>\n

1939\u2019da ya\u015fad\u0131\u011f\u0131 siyasi yarg\u0131lama ise hayat\u0131n\u0131n en \u00e7arp\u0131c\u0131 d\u00f6neme\u00e7lerinden biri oldu. Ba\u011f\u0131ms\u0131z Hatay h\u00fck\u00fcmetini devirmekle su\u00e7lanan Meri\u00e7, idam talebiyle yarg\u0131land\u0131 ancak beraat etti. Bu olay, onun fikir hayat\u0131nda devlet, toplum, ideoloji ve ayd\u0131n sorumlulu\u011fu \u00fczerine derin sorgulamalar yapmas\u0131na zemin haz\u0131rlad\u0131.<\/p>\n

\u00dcniversite y\u0131llar\u0131 ve akademik hayat\u0131<\/h2>\n

1940\u2019ta yeniden \u0130stanbul\u2019a giden Cemil Meri\u00e7, Yabanc\u0131 Diller Y\u00fcksek Okulu\u2019na devam etti ve 1942\u2019de mezun oldu. Frans\u0131zca \u00f6\u011fretmeni olarak Elaz\u0131\u011f Lisesi\u2019ne tayin edildi. Burada iki y\u0131l\u0131 a\u015fk\u0131n s\u00fcre g\u00f6rev yapt\u0131ktan sonra \u0130stanbul\u2019a d\u00f6nd\u00fc.<\/p>\n

1946\u2019da \u0130stanbul \u00dcniversitesi Edebiyat Fak\u00fcltesi\u2019nde Frans\u0131zca okutman\u0131 oldu ve 1974\u2019te emekli oluncaya kadar bu g\u00f6revini s\u00fcrd\u00fcrd\u00fc. Bu s\u00fcre\u00e7te Felsefe B\u00f6l\u00fcm\u00fc\u2019nde doktora \u00f6\u011frencisi olarak kaydoldu, I\u015f\u0131k Lisesi\u2019nde Frans\u0131zca \u00f6\u011fretmenli\u011fi yapt\u0131 ve \u0130stanbul \u00dcniversitesi Edebiyat Fak\u00fcltesi Sosyoloji B\u00f6l\u00fcm\u00fc\u2019nde dersler verdi.<\/p>\n

Akademik hayat\u0131, onun yaln\u0131zca bir \u00f6\u011fretmen ya da okutman de\u011fil; terc\u00fcme, sosyoloji, edebiyat, tarih ve d\u00fc\u015f\u00fcnce alanlar\u0131nda \u00e7ok y\u00f6nl\u00fc bir entelekt\u00fcel olarak yeti\u015fmesini sa\u011flad\u0131.<\/p>\n

G\u00f6zlerini kaybetti ama d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131n\u0131 b\u00fcy\u00fctt\u00fc<\/h2>\n

Cemil Meri\u00e7\u2019in hayat\u0131ndaki en a\u011f\u0131r k\u0131r\u0131lmalardan biri g\u00f6rme duyusunu kaybetmesi oldu. \u00c7ocuklu\u011fundan itibaren sorunlu olan g\u00f6zleri, 1950\u2019li y\u0131llarda giderek zay\u0131flad\u0131. 1954\u2019te ge\u00e7irdi\u011fi ameliyatlar sonu\u00e7 vermedi. 1955\u2019te Paris\u2019te Quinze-Vingts Hastanesi\u2019nde yap\u0131lan ameliyatlardan da sonu\u00e7 al\u0131namay\u0131nca \u00f6mr\u00fcn\u00fcn geri kalan\u0131n\u0131 g\u00f6rme yetisini kaybetmi\u015f olarak s\u00fcrd\u00fcrd\u00fc.<\/p>\n

Ancak bu b\u00fcy\u00fck kay\u0131p, onun d\u00fc\u015f\u00fcnce \u00fcretimini durdurmad\u0131. Ailesinin, dostlar\u0131n\u0131n ve \u00f6\u011frencilerinin deste\u011fiyle okunan kitaplar\u0131 dinledi, d\u00fc\u015f\u00fcncelerini dikte ettirdi, yazmaya ve \u00fcretmeye devam etti. G\u00f6zlerini kaybetti\u011fi d\u00f6nem, ayn\u0131 zamanda onun fikir d\u00fcnyas\u0131n\u0131n daha da yo\u011funla\u015ft\u0131\u011f\u0131, eserlerinin olgunla\u015ft\u0131\u011f\u0131 d\u00f6nem oldu.<\/p>\n

1984\u2019te ge\u00e7irdi\u011fi beyin kanamas\u0131 ve fel\u00e7, sa\u011fl\u0131\u011f\u0131n\u0131 a\u011f\u0131r bi\u00e7imde etkiledi. Cemil Meri\u00e7, 13 Haziran 1987\u2019de \u0130stanbul\u2019da hayat\u0131n\u0131 kaybetti ve Karacaahmet Mezarl\u0131\u011f\u0131\u2019na defnedildi.<\/p>\n

Yaz\u0131 hayat\u0131na gen\u00e7 ya\u015fta ba\u015flad\u0131<\/h2>\n

Cemil Meri\u00e7\u2019in kitaplar\u0131n d\u00fcnyas\u0131na y\u00f6neli\u015fi \u00e7ocukluk y\u0131llar\u0131nda ba\u015flad\u0131. Yay\u0131n hayat\u0131na 1933\u2019te Antakya\u2019da \u00e7\u0131kan Yeni G\u00fcn gazetesinde yay\u0131mlanan \u201cGe\u00e7 Kalm\u0131\u015f Bir Muhasebe\u201d ba\u015fl\u0131kl\u0131 yaz\u0131s\u0131yla ad\u0131m att\u0131. Daha sonra Karag\u00f6z\u2019de yaz\u0131lar\u0131 ve \u201cF\u0131rsat Yoksulu\u201d mahlas\u0131yla \u015fiirleri yay\u0131mland\u0131.<\/p>\n

\u0130stanbul\u2019a geli\u015finden sonra \u201cHonor\u00e9 de Balzac\u201d ba\u015fl\u0131kl\u0131 ilk yaz\u0131s\u0131 \u0130nsan dergisinde yay\u0131mland\u0131. Ay\u0131n Bibliyografyas\u0131 dergisinde terc\u00fcme tenkitleri yapt\u0131. 1943\u2019te Balzac\u2019tan \u00e7evirdi\u011fi Alt\u0131n G\u00f6zl\u00fc K\u0131z<\/strong>, ba\u015f\u0131ndaki uzun incelemeyle birlikte onun yay\u0131mlanan ilk kitab\u0131 oldu.<\/p>\n

1940\u2019l\u0131 y\u0131llarda Yurt ve D\u00fcnya, Y\u00fccel, G\u00fcn ve Ama\u00e7 gibi dergilerde Frans\u0131z edebiyat\u0131, d\u00fc\u015f\u00fcnce hayat\u0131 ve terc\u00fcme tenkitleri \u00fczerine yaz\u0131lar kaleme ald\u0131. Balzac \u00e7evirileriyle edebiyat d\u00fcnyas\u0131nda dikkat \u00e7ekti.<\/p>\n

Hint edebiyat\u0131ndan Osmanl\u0131 irfan\u0131na<\/h2>\n

Cemil Meri\u00e7\u2019in fikir hayat\u0131 s\u00fcrekli aray\u0131\u015flarla \u015fekillendi. Kendi yapt\u0131\u011f\u0131 tasnife g\u00f6re \u00e7ocukluk y\u0131llar\u0131n\u0131 \u201ckoyu m\u00fcsl\u00fcmanl\u0131k devri\u201d, gen\u00e7lik y\u0131llar\u0131n\u0131n bir b\u00f6l\u00fcm\u00fcn\u00fc \u201c\u015foven milliyet\u00e7ilik devri\u201d, ard\u0131ndan k\u0131sa bir d\u00f6nemi \u201csosyalistlik devri\u201d olarak nitelendirdi. 1938-1960 aras\u0131n\u0131 \u201c\u00c2raf\u201d dedi\u011fi kulu\u00e7ka d\u00f6nemi, 1960-1964 aras\u0131n\u0131 ise \u201cHint devri\u201d olarak g\u00f6rd\u00fc. 1964\u2019ten sonra kendisini \u201csadece Osmanl\u0131\u201d olarak tan\u0131mlad\u0131.<\/p>\n

Bu tasnif, onun d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131n\u0131n tek bir ideolojik kal\u0131ba s\u0131\u011fmad\u0131\u011f\u0131n\u0131 g\u00f6sterir. Cemil Meri\u00e7, hayat\u0131 boyunca farkl\u0131 d\u00fc\u015f\u00fcnce kanallar\u0131ndan beslendi; ancak hi\u00e7bir ideolojinin dar s\u0131n\u0131rlar\u0131 i\u00e7inde kalmak istemedi. Kendisini \u201chakikat aray\u0131c\u0131s\u0131\u201d ve \u201chakikat \u00e2\u015f\u0131\u011f\u0131\u201d olarak g\u00f6rd\u00fc.<\/p>\n

T\u00fcrk ayd\u0131n\u0131na sert ele\u015ftiriler<\/h2>\n

Cemil Meri\u00e7\u2019in eserlerinde en \u00e7ok \u00fczerinde durdu\u011fu konulardan biri T\u00fcrk ayd\u0131n\u0131n\u0131n kimlik krizidir. Ona g\u00f6re T\u00fcrk ayd\u0131n\u0131, kendi k\u00fclt\u00fcr k\u00f6kleriyle ba\u011f\u0131n\u0131 zay\u0131flatm\u0131\u015f, Bat\u0131\u2019y\u0131 da yeterince derinlikli tan\u0131yamam\u0131\u015ft\u0131r. Bu nedenle hem kendi d\u00fcnyas\u0131na yabanc\u0131la\u015fm\u0131\u015f hem de Bat\u0131 kar\u015f\u0131s\u0131nda a\u015fa\u011f\u0131l\u0131k kompleksine kap\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Meri\u00e7, T\u00fcrk\u00e7enin h\u0131zla kan kaybetti\u011fini, ge\u00e7mi\u015fle kurulan ba\u011f\u0131n zay\u0131flad\u0131\u011f\u0131n\u0131 ve bunun toplumun gelece\u011fi \u00fczerinde y\u0131k\u0131c\u0131 sonu\u00e7lar do\u011furabilece\u011fini savundu. Ona g\u00f6re bir milletin d\u00fc\u015f\u00fcnce hayat\u0131, kendi dili ve irfan gelene\u011fiyle beslenmeden g\u00fc\u00e7lenemezdi.<\/p>\n

Sa\u011f-sol \u00e7at\u0131\u015fmas\u0131n\u0131 da Avrupa\u2019dan ithal edilmi\u015f yapay bir kampla\u015fma olarak de\u011ferlendirdi. Bu kampla\u015fman\u0131n T\u00fcrk insan\u0131n\u0131n ve ayd\u0131n\u0131n\u0131n zaten zay\u0131flat\u0131lm\u0131\u015f d\u00fc\u015f\u00fcnce dinamizmini daha da k\u00f6reltti\u011fini savundu.<\/p>\n

Do\u011fu ve Bat\u0131\u2019y\u0131 birlikte d\u00fc\u015f\u00fcnen bir zihin<\/h2>\n

Cemil Meri\u00e7\u2019in d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131nda Do\u011fu ve Bat\u0131 kar\u015f\u0131tl\u0131\u011f\u0131 basit bir medeniyet \u00e7at\u0131\u015fmas\u0131 de\u011fildir. Ona g\u00f6re insan beyninin iki yar\u0131m k\u00fcresi gibi Do\u011fu ve Bat\u0131 da birbirini tamamlayan iki b\u00fcy\u00fck birikimdir. Birini reddetmek, di\u011ferini de eksik b\u0131rakmak anlam\u0131na gelir.<\/p>\n

Meri\u00e7, Bat\u0131 medeniyetine b\u00fct\u00fcn\u00fcyle d\u00f6n\u00fc\u015fmenin ham bir hayal oldu\u011funu d\u00fc\u015f\u00fcn\u00fcr. Ona g\u00f6re bir medeniyet ba\u015fka bir medeniyete d\u00f6n\u00fc\u015femez; ancak ondan malzeme alabilir. T\u00fcrkiye\u2019nin kendi k\u00f6klerine ba\u011fl\u0131 yeni bir nesil yeti\u015ftirebilmesi i\u00e7in Osmanl\u0131ca, Arap\u00e7a ve Fars\u00e7a \u00f6\u011frenerek irfan hazinelerine ula\u015fmas\u0131, ayn\u0131 zamanda bir Avrupa dili \u00f6\u011frenerek Bat\u0131\u2019y\u0131 \u00f6zg\u00fcr bi\u00e7imde tan\u0131mas\u0131 gerekir.<\/p>\n

Bu yakla\u015f\u0131m, Cemil Meri\u00e7\u2019i yaln\u0131zca muhafazak\u00e2r ya da yaln\u0131zca Bat\u0131c\u0131 d\u00fc\u015f\u00fcnce \u00e7izgilerinden ay\u0131r\u0131r. O, k\u00fclt\u00fcrler aras\u0131nda terc\u00fcmanl\u0131k yapan, fakat kendi merkezini kaybetmemeye \u00e7al\u0131\u015fan ba\u011f\u0131ms\u0131z bir fikir adam\u0131d\u0131r.<\/p>\n

\u201cBu \u00dclke\u201d ile geni\u015f kitlelere ula\u015ft\u0131<\/h2>\n

Cemil Meri\u00e7\u2019in olgunluk d\u00f6nemi eserleri, \u00f6zellikle 1974\u2019te yay\u0131mlanan Bu \u00dclke<\/strong> ile geni\u015f okuyucu kitlelerine ula\u015ft\u0131. Bu eser, yaln\u0131zca bir deneme kitab\u0131 de\u011fil; T\u00fcrkiye\u2019nin k\u00fclt\u00fcrel, d\u00fc\u015f\u00fcnsel ve entelekt\u00fcel ser\u00fcvenine dair g\u00fc\u00e7l\u00fc bir hesapla\u015fma metni olarak kabul edildi.<\/p>\n

Ard\u0131ndan Umrandan Uygarl\u0131\u011fa<\/strong>, Ma\u011faradakiler<\/strong>, K\u0131rk Ambar<\/strong>, I\u015f\u0131k Do\u011fudan Gelir<\/strong>, K\u00fclt\u00fcrden \u0130rfana<\/strong> gibi eserleri geldi. Bu kitaplarda medeniyet, k\u00fclt\u00fcr, ayd\u0131n, ideoloji, dil, tarih, Do\u011fu-Bat\u0131 ili\u015fkisi ve T\u00fcrk d\u00fc\u015f\u00fcncesinin sorunlar\u0131 \u00fczerine yo\u011funla\u015ft\u0131.<\/p>\n

Jurnalleri ise onun i\u00e7 d\u00fcnyas\u0131n\u0131, d\u00fc\u015f\u00fcnce sanc\u0131lar\u0131n\u0131, yaln\u0131zl\u0131\u011f\u0131n\u0131, m\u00fccadelelerini ve entelekt\u00fcel aray\u0131\u015f\u0131n\u0131 en \u00e7\u0131plak haliyle ortaya koyan metinler aras\u0131nda yer ald\u0131.<\/p>\n

Cemil Meri\u00e7\u2019in ba\u015fl\u0131ca eserleri<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Eser ad\u0131<\/th>\n\u0130lk yay\u0131n y\u0131l\u0131<\/th>\nT\u00fcr \/ Alan<\/th>\nNot<\/th>\n<\/tr>\n
Hind Edebiyat\u0131<\/td>\n1964<\/td>\n\u0130nceleme<\/td>\nDaha sonra geni\u015fletilmi\u015f bask\u0131s\u0131 Bir D\u00fcnyan\u0131n E\u015fi\u011finde<\/strong> ad\u0131yla yay\u0131mland\u0131<\/td>\n<\/tr>\n
Saint-Simon: \u0130lk Sosyolog-\u0130lk Sosyalist<\/td>\n1967<\/td>\n\u0130nceleme \/ Sosyoloji<\/td>\nSaint-Simon d\u00fc\u015f\u00fcncesi \u00fczerine \u00e7al\u0131\u015fmas\u0131<\/td>\n<\/tr>\n
Bu \u00dclke<\/td>\n1974<\/td>\nDeneme \/ D\u00fc\u015f\u00fcnce<\/td>\nMeri\u00e7\u2019in en \u00e7ok bilinen eserlerinden biri<\/td>\n<\/tr>\n
Umrandan Uygarl\u0131\u011fa<\/td>\n1974<\/td>\nDeneme \/ Medeniyet d\u00fc\u015f\u00fcncesi<\/td>\nK\u00fclt\u00fcr, uygarl\u0131k ve medeniyet kavramlar\u0131 \u00fczerine<\/td>\n<\/tr>\n
Ma\u011faradakiler<\/td>\n1978<\/td>\nDeneme \/ Ayd\u0131n ele\u015ftirisi<\/td>\nT\u00fcrk ayd\u0131n\u0131 ve d\u00fc\u015f\u00fcnce hayat\u0131 \u00fczerine<\/td>\n<\/tr>\n
K\u0131rk Ambar<\/td>\n1980<\/td>\nDeneme \/ \u0130nceleme<\/td>\nDaha sonra k\u00fclliyat i\u00e7inde iki cilde ayr\u0131ld\u0131<\/td>\n<\/tr>\n
Bir Facian\u0131n Hik\u00e2yesi<\/td>\n1981<\/td>\n\u0130nceleme<\/td>\nYak\u0131n tarih ve toplumsal meseleler \u00fczerine<\/td>\n<\/tr>\n
I\u015f\u0131k Do\u011fudan Gelir<\/td>\n1984<\/td>\nDeneme \/ Medeniyet<\/td>\nDo\u011fu d\u00fc\u015f\u00fcncesi ve irfan gelene\u011fi \u00fczerine<\/td>\n<\/tr>\n
K\u00fclt\u00fcrden \u0130rfana<\/td>\n1985<\/td>\nDeneme \/ K\u00fclt\u00fcr<\/td>\nK\u00fclt\u00fcr ve irfan ayr\u0131m\u0131 \u00fczerine \u00f6nemli metinlerinden<\/td>\n<\/tr>\n
Jurnal I-II<\/td>\n1992-1993<\/td>\nG\u00fcnl\u00fck<\/td>\n\u00d6l\u00fcm\u00fcnden sonra yay\u0131mlanan g\u00fcnl\u00fckleri<\/td>\n<\/tr>\n
Sosyoloji Notlar\u0131 ve Konferanslar<\/td>\n1993<\/td>\nDers notlar\u0131 \/ Konferans<\/td>\n\u00dcmit Meri\u00e7 taraf\u0131ndan haz\u0131rland\u0131<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Cemil Meri\u00e7\u2019in \u00e7evirileri<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00c7evirdi\u011fi eser<\/td>\nYazar<\/td>\nYay\u0131n y\u0131l\u0131<\/td>\nA\u00e7\u0131klama<\/td>\n<\/tr>\n
Alt\u0131n G\u00f6zl\u00fc K\u0131z<\/td>\nHonor\u00e9 de Balzac<\/td>\n1943<\/td>\nMeri\u00e7\u2019in yay\u0131mlanan ilk kitab\u0131; ba\u015f\u0131nda uzun Balzac incelemesi yer ald\u0131<\/td>\n<\/tr>\n
Otuzunda Kad\u0131n<\/td>\nHonor\u00e9 de Balzac<\/td>\n1945<\/td>\nBalzac \u00e7evirileri aras\u0131nda<\/td>\n<\/tr>\n
On\u00fc\u00e7lerin Roman\u0131<\/td>\nHonor\u00e9 de Balzac<\/td>\n1945<\/td>\nBalzac\u2019tan yapt\u0131\u011f\u0131 \u00f6nemli \u00e7evirilerden<\/td>\n<\/tr>\n
Kibar Fahi\u015felerin \u0130hti\u015fam ve Sefaleti<\/td>\nHonor\u00e9 de Balzac<\/td>\n1946<\/td>\nFrans\u0131z edebiyat\u0131ndan \u00e7eviri<\/td>\n<\/tr>\n
Hernani<\/td>\nVictor Hugo<\/td>\n1956<\/td>\nMaarif Vek\u00e2leti klasikler dizisi kapsam\u0131nda yay\u0131mland\u0131<\/td>\n<\/tr>\n
Marion de Lorme<\/td>\nVictor Hugo<\/td>\n1966<\/td>\nMahmut Sait K\u0131l\u0131\u00e7\u00e7\u0131 ile birlikte \u00e7evirdi<\/td>\n<\/tr>\n
Dillerin Yap\u0131s\u0131 ve Geli\u015fmesi<\/td>\nAntoine Meillet \/ Michel Lejeune<\/td>\n1967<\/td>\nBerke Vardar ile birlikte \u00e7evirdi; kitaba ilavelerde bulundu<\/td>\n<\/tr>\n
Ziya G\u00f6kalp: T\u00fcrk Milliyet\u00e7ili\u011finin Temelleri<\/td>\nUriel Heyd<\/td>\n1980<\/td>\nT\u00fcrk milliyet\u00e7ili\u011fi \u00fczerine \u00f6nemli bir kaynak \u00e7eviri<\/td>\n<\/tr>\n
K\u00f6pr\u00fcden D\u00fc\u015fenler<\/td>\nThornton Wilder<\/td>\n1981<\/td>\nLamia \u00c7atalo\u011flu ile birlikte \u00e7evirdi<\/td>\n<\/tr>\n
Bat\u0131y\u0131 B\u00fcy\u00fcleyen \u0130slam<\/td>\nMaxime Rodinson<\/td>\n1983<\/td>\n\u0130slam ve Bat\u0131 alg\u0131s\u0131 \u00fczerine \u00e7eviri<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Di\u011fer \u00e7al\u0131\u015fmalar\u0131 ve risaleleri<\/h2>\n\n\n\n\n\n\n\n\n\n
\u00c7al\u0131\u015fma ad\u0131<\/td>\nY\u0131l<\/td>\nT\u00fcr<\/td>\nNot<\/td>\n<\/tr>\n
Frans\u0131zca Yard\u0131mc\u0131 Metinler<\/td>\n1951<\/td>\nYard\u0131mc\u0131 ders kitab\u0131<\/td>\nFerit Hakk\u0131 Saymen ve Louat ile birlikte haz\u0131rland\u0131<\/td>\n<\/tr>\n
Sosyalizm ve Sosyoloji Tarihinde Pierre Joseph Proudhon<\/td>\n1969<\/td>\nRisale \/ \u0130nceleme<\/td>\nYaz\u0131lar\u0131n\u0131n bas\u0131m\u0131yla ortaya \u00e7\u0131kt\u0131<\/td>\n<\/tr>\n
\u0130deoloji<\/td>\n1970<\/td>\nRisale \/ D\u00fc\u015f\u00fcnce<\/td>\n\u0130deoloji kavram\u0131 \u00fczerine<\/td>\n<\/tr>\n
Frans\u0131zca grameri<\/td>\n1959<\/td>\nBas\u0131lmam\u0131\u015f \u00e7al\u0131\u015fma<\/td>\nFrans\u0131zca hocalar\u0131 i\u00e7in haz\u0131rland\u0131<\/td>\n<\/tr>\n
Quinze-Vingts Geceleri<\/td>\n1955<\/td>\nRoman tasar\u0131s\u0131<\/td>\nBa\u015flad\u0131 ancak devam ettirmedi<\/td>\n<\/tr>\n
Jurnaller<\/td>\n1963\u2019ten itibaren<\/td>\nG\u00fcnl\u00fck<\/td>\nAral\u0131klarla yakla\u015f\u0131k 20 y\u0131l s\u00fcrd\u00fc<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Cemil Meri\u00e7 hakk\u0131nda yay\u0131mlanan baz\u0131 \u00e7al\u0131\u015fmalar<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n
Eser<\/td>\nYazar \/ Haz\u0131rlayan<\/td>\nYay\u0131n yeri \/ y\u0131l\u0131<\/td>\nNot<\/td>\n<\/tr>\n
Cemil Meri\u00e7: \u015eair, Filozof, Yazar<\/td>\nMehmet Tekin<\/td>\nAntakya, 1991<\/td>\nCemil Meri\u00e7 \u00fczerine erken d\u00f6nem \u00e7al\u0131\u015fmalardan<\/td>\n<\/tr>\n
Cemil Meri\u00e7<\/td>\n\u00dcmit Meri\u00e7 Yazan<\/td>\nAnkara, 1993<\/td>\nDaha sonra Babam Cemil Meri\u00e7<\/strong> ad\u0131yla yay\u0131mland\u0131<\/td>\n<\/tr>\n
Do\u011fu ve Bat\u0131 Aras\u0131nda Cemil Meri\u00e7<\/td>\nAhmet Turan Alkan<\/td>\nAnkara, 1993<\/td>\nMeri\u00e7\u2019in Do\u011fu-Bat\u0131 d\u00fc\u015f\u00fcncesine odaklan\u0131r<\/td>\n<\/tr>\n
Cemil Meri\u00e7\u2019le Sohbetler<\/td>\nHalil A\u00e7\u0131kg\u00f6z<\/td>\n\u0130stanbul, 1993<\/td>\nSohbetler \u00fczerinden Meri\u00e7 portresi<\/td>\n<\/tr>\n
Cemil Meri\u00e7\u2019le Nur Sohbetleri<\/td>\nNecmettin \u015eahiner<\/td>\n\u0130stanbul, 1994<\/td>\nD\u00fc\u015f\u00fcnce ve sohbet merkezli \u00e7al\u0131\u015fma<\/td>\n<\/tr>\n
Cemil Meri\u00e7 ve Bu \u00dclkenin \u00c7ocuklar\u0131<\/td>\nErg\u00fcn Meri\u00e7 \u2013 Ay\u015fe \u00c7avdar<\/td>\n\u0130stanbul, 1998<\/td>\nDerleme \u00e7al\u0131\u015fma<\/td>\n<\/tr>\n
D\u00fc\u015f\u00fcncenin G\u00f6kku\u015fa\u011f\u0131: Cemil Meri\u00e7<\/td>\nMustafa Arma\u011fan<\/td>\n\u0130stanbul, 2001<\/td>\nKapsaml\u0131 biyografik ve fikr\u00ee inceleme<\/td>\n<\/tr>\n
Cemil Meri\u00e7<\/td>\nCafer Vayni<\/td>\nAnkara, 2002<\/td>\nBiyografik \u00e7al\u0131\u015fma<\/td>\n<\/tr>\n
Cemil Meri\u00e7\u2019in Konu\u015fmalar\u0131<\/td>\nMehmet Tekin<\/td>\nKonya, 2003<\/td>\nKonu\u015fmalar\u0131n\u0131 bir araya getiren \u00e7al\u0131\u015fma<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00d6d\u00fcller ve hat\u0131ras\u0131<\/h2>\n

Cemil Meri\u00e7, yaln\u0131zca kitaplar\u0131yla de\u011fil, d\u00fc\u015f\u00fcnce hayat\u0131na yapt\u0131\u011f\u0131 katk\u0131larla da \u00e7e\u015fitli kurulu\u015flar taraf\u0131ndan \u00f6d\u00fcllendirildi. T\u00fcrkiye Mill\u00ee K\u00fclt\u00fcr Vakf\u0131, T\u00fcrkiye Yazarlar Birli\u011fi ve Kayseri Sanat\u00e7\u0131lar Derne\u011fi gibi kurulu\u015flar taraf\u0131ndan fikir ve inceleme dallar\u0131nda \u00f6d\u00fcller ald\u0131.<\/p>\n

2004 y\u0131l\u0131nda \u00dcsk\u00fcdar Belediyesi taraf\u0131ndan a\u00e7\u0131lan bir k\u00fclt\u00fcr merkezine ad\u0131n\u0131n verilmesi, onun hat\u0131ras\u0131n\u0131n yaln\u0131zca akademik ve edeb\u00ee \u00e7evrelerde de\u011fil, \u015fehir k\u00fclt\u00fcr\u00fcnde de ya\u015fat\u0131ld\u0131\u011f\u0131n\u0131 g\u00f6sterdi.<\/p>\n

Bir fikir adam\u0131ndan fazlas\u0131<\/h2>\n

Cemil Meri\u00e7\u2019i yaln\u0131zca yazar, \u00e7evirmen ya da akademisyen olarak tan\u0131mlamak eksik kal\u0131r. O, T\u00fcrk d\u00fc\u015f\u00fcnce hayat\u0131nda kavramlar\u0131n izini s\u00fcren, kelimelerin kaderini milletin kaderiyle birlikte okuyan, ideolojilerin dar kal\u0131plar\u0131na s\u0131\u011fmayan ba\u011f\u0131ms\u0131z bir zihin olarak \u00f6ne \u00e7\u0131kt\u0131.<\/p>\n

Hayat\u0131 boyunca hakikati arad\u0131. Bazen milliyet\u00e7ilikte, bazen sosyalizmde, bazen Hint d\u00fc\u015f\u00fcncesinde, bazen Osmanl\u0131 irfan\u0131nda solukland\u0131. Fakat hi\u00e7bir durakta b\u00fct\u00fcn\u00fcyle kalmad\u0131. Onun as\u0131l yurdu, d\u00fc\u015f\u00fcncenin kendisiydi.<\/p>\n

Cemil Meri\u00e7\u2019in bug\u00fcn h\u00e2l\u00e2 okunmas\u0131n\u0131n nedeni, yaln\u0131zca g\u00fc\u00e7l\u00fc \u00fcslubu de\u011fildir. Onu g\u00fcncel k\u0131lan as\u0131l unsur, T\u00fcrkiye\u2019nin h\u00e2l\u00e2 tart\u0131\u015fmaya devam etti\u011fi dil, k\u00fclt\u00fcr, ayd\u0131n, medeniyet, Bat\u0131l\u0131la\u015fma ve kimlik meselelerini sars\u0131c\u0131 bir a\u00e7\u0131kl\u0131kla ele alm\u0131\u015f olmas\u0131d\u0131r.<\/p>\n

Bu y\u00fczden Cemil Meri\u00e7, T\u00fcrk d\u00fc\u015f\u00fcnce tarihinde yaln\u0131zca ge\u00e7mi\u015fin b\u00fcy\u00fck isimlerinden biri de\u011fildir. Bug\u00fcn\u00fcn tart\u0131\u015fmalar\u0131nda da sesi duyulan, kelimeleriyle h\u00e2l\u00e2 rahats\u0131z eden, d\u00fc\u015f\u00fcnd\u00fcren ve okurunu kendi zihinsel konfor alan\u0131ndan \u00e7\u0131karan bir fikir i\u015f\u00e7isidir.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cumhuriyet d\u00f6nemi d\u00fc\u015f\u00fcnce hayat\u0131n\u0131n en \u00f6zg\u00fcn isimlerinden Cemil Meri\u00e7, yaln\u0131zca eserleriyle de\u011fil; Do\u011fu ile Bat\u0131, k\u00fclt\u00fcr ile irfan, ayd\u0131n ile halk aras\u0131ndaki kopu\u015fu sorgulayan fikir d\u00fcnyas\u0131yla da T\u00fcrk entelekt\u00fcel tarihinin kal\u0131c\u0131 \u015fahsiyetlerinden biri oldu.<\/p>\n","protected":false},"author":2,"featured_media":31032,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[10804,10803,10807,1053,10806,10809,10808,10805],"class_list":["post-31031","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-buulke","tag-cemilmeric","tag-dogubati","tag-edebiyat","tag-irfan","tag-portrehaber","tag-turkaydini","tag-turkdusuncesi"],"yoast_head":"\nCemil Meri\u00e7: Bu \u00fclkenin irfan haritas\u0131n\u0131 yeniden \u00e7izen fikir 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