{"id":27192,"date":"2026-05-25T17:02:59","date_gmt":"2026-05-25T14:02:59","guid":{"rendered":"https:\/\/www.merceknet.com\/tr\/?p=27192"},"modified":"2026-05-25T17:02:59","modified_gmt":"2026-05-25T14:02:59","slug":"sultanus-suara-necip-fazil-kisakurekin-vefatinin-uzerinden-43-yil-gecti","status":"publish","type":"post","link":"https:\/\/www.merceknet.com\/tr\/2026\/05\/25\/sultanus-suara-necip-fazil-kisakurekin-vefatinin-uzerinden-43-yil-gecti\/","title":{"rendered":"\u201cSultanu\u2019\u015f \u015euara\u201d Necip Faz\u0131l K\u0131sak\u00fcrek\u2019in vefat\u0131n\u0131n \u00fczerinden 43 y\u0131l ge\u00e7ti"},"content":{"rendered":"

T\u00fcrk edebiyat\u0131nda Baki’den sonra ikinci “Sultanu’\u015f \u015euara (\u015eairler Sultan\u0131)” \u00fcnvan\u0131na sahip \u015fair, yazar ve m\u00fctefekkir Necip Faz\u0131l K\u0131sak\u00fcrek’in vefat\u0131n\u0131n ard\u0131ndan 43 y\u0131l ge\u00e7ti. Savc\u0131l\u0131k ve hakimlik g\u00f6revlerinde bulunan hukuk\u00e7u Abd\u00fclbaki Faz\u0131l Bey ile Girit muhaciri ailenin k\u0131z\u0131 Mediha Han\u0131m’\u0131n \u00e7ocu\u011fu olarak 26 May\u0131s 1904’te d\u00fcnyaya gelen K\u0131sak\u00fcrek’in \u00e7ocuklu\u011fu, “Terbiyemi bor\u00e7luyum” dedi\u011fi, d\u00f6nemin hakimlerinden b\u00fcy\u00fckbabas\u0131 Mara\u015fl\u0131 K\u0131sak\u00fcrekzade Mehmet Hilmi Bey’in \u00c7emberlita\u015f’taki kona\u011f\u0131nda ge\u00e7ti.<\/p>\n

Okumay\u0131 5-6 ya\u015flar\u0131ndayken dedesinden \u00f6\u011frenen ve g\u00fcnl\u00fck gazeteleri okuyarak \u00e7evresine anlatan K\u0131sak\u00fcrek, b\u00fcy\u00fckannesi Zafer Han\u0131m’\u0131n da etkisiyle okuma tutkusuyla tan\u0131\u015ft\u0131.<\/p>\n

K\u0131sak\u00fcrek, mahalle mektebinde ba\u015flad\u0131\u011f\u0131 \u00f6\u011frenimine Frans\u0131z Papaz Mektebi, Amerikan Koleji ve Rehber-i \u0130ttihad okullar\u0131nda devam etti.<\/p>\n

\u0130lkokulu Heybeliada Numune Mektebinde tamamlayan \u015fair, 1916’da Yahya Kemal, Ahmet Hamdi Akseki ve Hamdullah Suphi Tanr\u0131\u00f6ver’in \u00f6\u011fretmenlik yapt\u0131\u011f\u0131 Mekteb-i F\u00fcnun-u Bahriye-i \u015eahane’ye (Deniz Harp Okulu) girdi. Usta yazar\u0131n tasavvufla ilk temas\u0131 ise bu okuldaki edebiyat hocas\u0131 \u0130brahim A\u015fki Bey’in kendisine verdi\u011fi “Semarat-\u00fcl Fuat” ve “Divan-\u0131 \u015eah-\u0131 Nak\u015fibend” eserleriyle ger\u00e7ekle\u015fti.<\/p>\n

\u00d6\u011frencilik y\u0131llar\u0131nda dergi \u00e7\u0131kard\u0131<\/h2>\n

\u015eiire ilgisi \u00f6\u011frencilik y\u0131llar\u0131nda olu\u015fan ve “Nihal” isminde haftal\u0131k dergi \u00e7\u0131karan usta yazar, \u015fair Naz\u0131m Hikmet Ran ile ayn\u0131 okulda e\u011fitim g\u00f6rd\u00fc.<\/p>\n

K\u0131sak\u00fcrek, Lord Byron, Oscar Wilde ve William Shakespeare’in de aralar\u0131nda bulundu\u011fu \u00f6nemli yazarlar\u0131n eserlerini orijinal dilinde okudu.<\/p>\n

Usta edebiyat\u00e7\u0131, 1918’de Ahmet Ha\u015fim, Yakup Kadri Karaosmano\u011flu, Faruk Nafiz \u00c7aml\u0131bel ve Ahmed Kudsi gibi edebiyat\u00e7\u0131larla tan\u0131\u015ft\u0131\u011f\u0131 Dar\u00fclf\u00fcnun Edebiyat Medresesi Felsefe B\u00f6l\u00fcm\u00fc’nde e\u011fitime ba\u015flad\u0131, Ziya G\u00f6kalp’in kurdu\u011fu, Yakup Kadri ve arkada\u015flar\u0131n\u0131n \u00e7\u0131kard\u0131\u011f\u0131 “Yeni Mecmua” dergisinde ilk kez \u015fiiri yay\u0131mland\u0131.<\/p>\n

Maarif Vekaletinin 1924’te a\u00e7t\u0131\u011f\u0131 s\u0131nav\u0131 kazanan K\u0131sak\u00fcrek, Milli E\u011fitim Bakanl\u0131\u011f\u0131 bursuyla 20 ya\u015f\u0131nda Paris Sorbonne \u00dcniversitesine gitti ve bir sene sonra \u0130stanbul’a d\u00f6nerek ilk \u015fiir kitab\u0131 “\u00d6r\u00fcmcek A\u011f\u0131”n\u0131 \u00e7\u0131kard\u0131.<\/p>\n

“Kald\u0131r\u0131mlar” eseri, okurun b\u00fcy\u00fck ilgisini ve hayranl\u0131\u011f\u0131n\u0131 kazand\u0131<\/h2>\n

“Kald\u0131r\u0131mlar”\u0131 1928’de yay\u0131mlayan \u015fairin bu eseri, okurun b\u00fcy\u00fck ilgisini ve hayranl\u0131\u011f\u0131n\u0131 kazand\u0131. K\u0131sak\u00fcrek hakk\u0131nda kullan\u0131lan “Bir m\u0131sras\u0131 bir millete \u015feref vermeye yeter”, “\u015eimdiye kadar gelen \u015fairlerin en b\u00fcy\u00fc\u011f\u00fc” gibi ifadeler de bu d\u00f6nemde yo\u011funla\u015fmaya ba\u015flad\u0131.<\/p>\n

Usta \u015fair, 1929’da Fikret Adil’in Asmal\u0131 Mescit’teki pansiyon odas\u0131nda Peyami Safa, ressam \u0130brahim \u00c7all\u0131, Tanburi Cemil Bey’in o\u011flu Mesut Cemil ve gazeteci E\u015fref \u015eefik gibi \u00fcnl\u00fc isimlerle k\u0131sa bir s\u00fcre bohem hayat\u0131 ya\u015fad\u0131. Ankara’da \u0130\u015f Bankas\u0131n\u0131n genel muhasebe \u015fefi olarak 1930’da \u00e7al\u0131\u015fmaya ba\u015flayan K\u0131sak\u00fcrek, bir taraftan da “Hakimiyet-i Milliye” gazetesinde tahlil yaz\u0131lar\u0131 yazd\u0131.<\/p>\n

Ankara’da bulundu\u011fu d\u00f6nemde \u015eevket S\u00fcreyya Aydemir’in m\u00fcd\u00fcr\u00fc oldu\u011fu Ankara Ticaret Lisesinde 2 ay \u00f6\u011fretmen olarak g\u00f6rev alan K\u0131sak\u00fcrek, 1931’de Taksim Ta\u015fk\u0131\u015fla’da 1,5 y\u0131l askeri e\u011fitimin yan\u0131 s\u0131ra subayl\u0131k yapt\u0131. Daha \u00f6nce \u00e7\u0131kard\u0131\u011f\u0131 “\u00d6r\u00fcmcek A\u011f\u0131” ve “Kald\u0131r\u0131mlar” \u015fiirleriyle yeni yazd\u0131klar\u0131n\u0131 bir araya getirerek “Ben ve \u00d6tesi” kitab\u0131n\u0131 1932’de \u00e7\u0131karan usta yazar, eserde 1922’den 1932’ye kadar yazd\u0131\u011f\u0131 71 \u015fiirine yer verdi.<\/p>\n

Abd\u00fclhakim Arvasi ile tan\u0131\u015fmas\u0131 d\u00f6n\u00fcm noktas\u0131 oldu<\/h2>\n

Abd\u00fclhakim Arvasi ile 1934’te tan\u0131\u015fan K\u0131sak\u00fcrek i\u00e7in bu tarih bir milat oldu ve eserlerinde tasavvufi d\u00fc\u015f\u00fcncenin izleri g\u00f6r\u00fclmeye ba\u015fland\u0131.<\/p>\n

Ayr\u0131ca bu d\u00f6nemden sonra sanat ve edebiyat \u00e7evrelerinde “Mistik \u015fair” ve “Bay mistik” diye an\u0131lmaya ba\u015flayan K\u0131sak\u00fcrek, bu s\u00f6ylemlere kar\u015f\u0131 “Tam 30 Y\u0131l” ba\u015fl\u0131kl\u0131 \u015fiirinde “Tam 30 y\u0131l saatim i\u015flemi\u015f, ben durmu\u015fum\/G\u00f6ky\u00fcz\u00fcnden habersiz u\u00e7urtma u\u00e7urmu\u015fum.” ifadelerine yer verdi.<\/p>\n

K\u0131sak\u00fcrek’in 1935’te Muhsin Ertu\u011frul’un tavsiyesiyle yazd\u0131\u011f\u0131 “Tohum” ile 1937’de kaleme ald\u0131\u011f\u0131 “Bir Adam Yaratmak” eserleri, \u0130stanbul \u015eehir Tiyatrolar\u0131nda Ertu\u011frul’un rejisiyle sahnelendi.<\/p>\n

\u0130nsanlar\u0131 Anadolu’nun i\u00e7inde bar\u0131nd\u0131rd\u0131\u011f\u0131 tohumu ke\u015ffe \u00e7a\u011f\u0131ran, Mara\u015f’\u0131n Frans\u0131z i\u015fgalinden kurtulu\u015funu anlatan “Tohum”, sanat \u00e7evrelerinden b\u00fcy\u00fck ilgi g\u00f6r\u00fcrken halk\u0131n ise ilgisini \u00e7ekmedi.<\/p>\n

“Bir Adam Yaratmak” eseri beyazperdeye uyarland\u0131<\/h2>\n

K\u0131sak\u00fcrek, olay \u00f6rg\u00fcs\u00fc ve diyaloglar\u0131n derinli\u011fi bak\u0131m\u0131ndan herkes taraf\u0131ndan b\u00fcy\u00fck ilgi g\u00f6ren “Bir Adam Yaratmak” eserinin ard\u0131ndan “T\u00fcrk Shakespeare’i” diye an\u0131lmaya ba\u015fland\u0131.<\/p>\n

Usta edebiyat\u00e7\u0131n\u0131n 1936’da kurdu\u011fu ve ba\u015fyazarl\u0131\u011f\u0131n\u0131 yapt\u0131\u011f\u0131 “A\u011fa\u00e7” mecmuas\u0131, \u00e7\u0131kt\u0131\u011f\u0131 17 say\u0131 boyunca d\u00f6nemin \u00f6nde gelen entelekt\u00fcellerini ayn\u0131 \u00e7at\u0131 alt\u0131nda toplad\u0131.<\/p>\n

Kendi deyimiyle “m\u00fccadele sahas\u0131”na girdi\u011fi 1938’de yeni bir milli mar\u015f yaz\u0131lmas\u0131 i\u00e7in “Ulus” gazetesinin a\u00e7t\u0131\u011f\u0131 yar\u0131\u015fmada yap\u0131lan teklifi kabul eden K\u0131sak\u00fcrek, yar\u0131\u015fmadan vazge\u00e7ilmesi \u015fart\u0131n\u0131 \u00f6ne s\u00fcrd\u00fc. \u0130ste\u011fi kabul g\u00f6ren K\u0131sak\u00fcrek, “B\u00fcy\u00fck Do\u011fu Mar\u015f\u0131”n\u0131 yazd\u0131.<\/p>\n

Necip Faz\u0131l K\u0131sak\u00fcrek, Fatma Neslihan Baban ile 1941’de evlendi ve Mehmed, \u00d6mer, Ay\u015fe, Osman ve Zeynep isimli \u00e7ocuklar\u0131 d\u00fcnyaya geldi.<\/p>\n

Usta \u015fair, 1939-1943’te Ankara Dil ve Tarih Co\u011frafya Fak\u00fcltesi Devlet Konservatuvar\u0131nda ve \u0130stanbul G\u00fczel Sanatlar Akademisinde (Bug\u00fcnk\u00fc ad\u0131yla Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi) dersler verdi.<\/p>\n

Atlara ve ata binmeye \u00f6zel ilgi duyan usta \u015fair, bu ilgisini de “Dokuz ya\u015f\u0131nda ata bindim ve bir daha inmedim. Her bini\u015fimde b\u00fcy\u00fcd\u00fcm ve her ini\u015fimde k\u00fc\u00e7\u00fcld\u00fcm.” s\u00f6zleriyle dile getirdi. K\u0131sak\u00fcrek, “At’a Senfoni” adl\u0131 bir eser de kaleme ald\u0131.<\/p>\n

B\u00fcy\u00fck Do\u011fu dergisinde \u00fcnl\u00fc isimlerin yaz\u0131lar\u0131na yer verildi<\/h2>\n

K\u0131sak\u00fcrek, ilk kez Eyl\u00fcl 1943’te haftal\u0131k yay\u0131mlanan ve d\u00f6nemin \u00fcnl\u00fc isimlerinin yaz\u0131lar\u0131na yer verilen “B\u00fcy\u00fck Do\u011fu” dergisinde ana hatlar\u0131yla “\u0130deolocya \u00d6rg\u00fcs\u00fc” k\u00f6\u015fesinde a\u00e7\u0131klad\u0131\u011f\u0131 d\u00fc\u015f\u00fcnce sistemiyle \u00f6zg\u00fcl tarih muhasebesi, devlet anlay\u0131\u015f\u0131, estetik bak\u0131\u015f ve fikri duru\u015f ortaya koydu.<\/p>\n

K\u0131sak\u00fcrek’in dergide “Ad\u0131de\u011fmez”, “\u0130stanbul \u00c7ocu\u011fu”, “Fa”, “Tenkit\u00e7i”, “N.F.K.”, “Ne-Mu”, “Ahmet Abd\u00fclbaki”, “Abdinin K\u00f6lesi”, “Bankac\u0131”, “Be-De”, “Dilci”, “\u0130stanbullu”, “Muhbir” gibi takma isimlerle de yaz\u0131lar\u0131 yay\u0131mland\u0131.<\/p>\n

Bakanlar Kurulu karar\u0131yla 1944’te kapat\u0131lan dergi, 1945’te yeniden yay\u0131mlanmaya ba\u015flasa da 1 y\u0131l sonra bir kez daha kapat\u0131ld\u0131. Dergi, 1947’de yeniden okuyucularla bulu\u015ftu fakat k\u0131sa s\u00fcre sonra mahkeme karar\u0131yla yine kapat\u0131l\u0131rken bu kez K\u0131sak\u00fcrek tutukland\u0131 ve derginin sahibi g\u00f6r\u00fcnen e\u015fi Neslihan Han\u0131m ile “Padi\u015fahl\u0131k propagandas\u0131 yapmak, T\u00fcrkl\u00fc\u011fe ve T\u00fcrk milletine hakaret” etmekten yarg\u0131land\u0131.<\/p>\n

\u015eair K\u0131sak\u00fcrek, 1949’da “B\u00fcy\u00fck Do\u011fu Cemiyeti”ni kurmas\u0131ndan yakla\u015f\u0131k bir sene sonra, e\u015fi Neslihan K\u0131sak\u00fcrek ile cezaevine girdi ve ayn\u0131 y\u0131l yap\u0131lan genel se\u00e7imlerden sonra Demokrat Partinin \u00e7\u0131kard\u0131\u011f\u0131 af kanunu ile serbest kald\u0131.<\/p>\n

\u0130slami de\u011ferleri \u00f6ne \u00e7\u0131karmas\u0131yla dikkati \u00e7eken “B\u00fcy\u00fck Do\u011fu”yu tekrar yay\u0131mlayan K\u0131sak\u00fcrek’in d\u00fcnya g\u00f6r\u00fc\u015f\u00fcn\u00fc ve cemiyet nizam\u0131na ait d\u00fc\u015f\u00fcncelerini aksettiren “\u0130deolocya \u00d6rg\u00fcs\u00fc” yaz\u0131lar\u0131 da bu d\u00f6nemde ba\u015flad\u0131.<\/p>\n

Ba\u015f eseri “\u00c7ile” 1962’de yay\u0131mland\u0131<\/h2>\n

K\u0131sak\u00fcrek’in g\u00fcnl\u00fck f\u0131kra ve yaz\u0131lar\u0131, derginin \u00e7\u0131kmad\u0131\u011f\u0131 zamanlarda “Yeni \u0130stanbul”, “Son Posta”, “Bab\u0131alide Sabah”, “Bug\u00fcn”, “Milli Gazete”, “Her G\u00fcn” ve “Terc\u00fcman” gazetelerinde yay\u0131mland\u0131.<\/p>\n

Bir\u00e7ok kez cezaevine giren K\u0131sak\u00fcrek’in farkl\u0131 d\u00f6nemlerle 512 say\u0131ya ula\u015ft\u0131rd\u0131\u011f\u0131 “B\u00fcy\u00fck Do\u011fu” dergisinde \u00d6zdemir Asaf, Peyami Safa, Nurettin Top\u00e7u, Nihal Ats\u0131z, Cemil Meri\u00e7, \u015eevket Eygi, Sezai Karako\u00e7, Sabahattin Zaim, Bedri Rahmi Ey\u00fcbo\u011flu, Ziya Osman Saba, Sabahattin Kudret Aksal, Faz\u0131l H\u00fcsn\u00fc Da\u011flarca, Sait Faik, Oktay Akbal, Samiha Ayverdi, Re\u015fat Ekrem Ko\u00e7u ve Ahmet Adnan Saygun’un da aralar\u0131nda bulundu\u011fu pek \u00e7ok isim yer ald\u0131.<\/p>\n

Necip Faz\u0131l K\u0131sak\u00fcrek’in “ba\u015f eser” olarak g\u00f6rd\u00fc\u011f\u00fc, \u015fiir mefkuresini de ortaya \u00e7\u0131karan “\u00c7ile” eseri, 1962’de okuyucularla bulu\u015ftu. Usta \u015fair, b\u00fct\u00fcn \u015fiirleri aras\u0131ndan “s\u00fczme ve b\u00fct\u00fcnle\u015ftirme” yapt\u0131\u011f\u0131n\u0131 s\u00f6yleyerek, bu kitab\u0131n d\u0131\u015f\u0131ndaki \u015fiirlerinin art\u0131k kendisine mal edilmemesini istemi\u015fti.<\/p>\n

Sezai Karako\u00e7, K\u0131sak\u00fcrek i\u00e7in “\u015eiir, asl\u0131nda Necip Faz\u0131l’da s\u00fcrekli olarak, benin hi\u00e7likle yapt\u0131\u011f\u0131 \u00f6l\u00fcm\u00fcne sava\u015f\u0131n en etkili belki de tek silah\u0131d\u0131r.” ifadesini kullanm\u0131\u015ft\u0131.<\/p>\n

K\u0131sak\u00fcrek, B\u00fcy\u00fck Do\u011fu Hareketi’yle geni\u015f kitlelere ula\u015ft\u0131 ve 1963’te ba\u015fta \u0130zmir, Erzurum, Bursa olmak \u00fczere T\u00fcrkiye’nin her taraf\u0131na yay\u0131lan konferans dizisine ba\u015flad\u0131. Yurdun en \u00fccra kazalar\u0131nda bile insanlarla bir araya gelen K\u0131sak\u00fcrek’in bu konferanslar\u0131 daha sonra yurt d\u0131\u015f\u0131na da ta\u015f\u0131nd\u0131.<\/p>\n

Almanya’ya 1972’de giden \u015fair, 1973’te o\u011flu Mehmed ile B\u00fcy\u00fck Do\u011fu Yay\u0131nevini kurdu. Yay\u0131nevi b\u00fcnyesinde “Esselam” isimli manzum eserinden ba\u015flayarak daha evvel \u00e7e\u015fitli yay\u0131nevlerince bas\u0131lm\u0131\u015f eserlerinin d\u00fczenli yay\u0131n\u0131na ba\u015fland\u0131.<\/p>\n

1980’de “Sultanu’\u015f \u015euara” \u00fcnvan\u0131n\u0131 ald\u0131<\/h2>\n

Milli T\u00fcrk Talebe Birli\u011fi (MTTB) taraf\u0131ndan 1975’te m\u00fccadelesinin 40. y\u0131l\u0131 m\u00fcnasebetiyle j\u00fcbile d\u00fczenlenen K\u0131sak\u00fcrek, 1976’dan 1980’e kadar 13 say\u0131 “Rapor” dergisini yay\u0131mlad\u0131.<\/p>\n

Necip Faz\u0131l K\u0131sak\u00fcrek, T\u00fcrk Edebiyat\u0131 Vakf\u0131nca 1980’de “Sultanu’\u015f \u015euara (\u015eairler Sultan\u0131)” \u00fcnvan\u0131 verilen, Baki’den sonra bu \u00fcnvana sahip ikinci \u015fair olarak tarihe ge\u00e7ti. 1980’de K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 B\u00fcy\u00fck \u00d6d\u00fcl\u00fc verilen K\u0131sak\u00fcrek, 1981’de Milli K\u00fclt\u00fcr Vakf\u0131 Arma\u011fan\u0131’n\u0131, 1982’de T\u00fcrkiye Yazarlar Birli\u011fi “\u00dcst\u00fcn Hizmet \u00d6d\u00fcl\u00fc”n\u00fc ald\u0131.<\/p>\n

“\u00dcstad” olarak an\u0131lan K\u0131sak\u00fcrek, hayat\u0131 boyunca “K\u00fcnye”, “Sab\u0131r Ta\u015f\u0131”, “\u00c7er\u00e7eve”, “Para”, “Vatan \u015eairi Nam\u0131k Kemal”, “\u0130deolocya \u00d6rg\u00fcs\u00fc”, “Son Devrin Din Mazlumlar\u0131”, “Halkadan P\u0131r\u0131lt\u0131lar”, “\u00c7\u00f6le \u0130nen Nur”, “Maskenizi Y\u0131rt\u0131yorum”, “Ulu Hakan II. Abd\u00fclhamid Han”, “Kanl\u0131 Sar\u0131k”, “Sonsuzluk Kervan\u0131”, “At’a Senfoni”, “Sahte Kahramanlar”, “Her Cephesiyle Kom\u00fcnizm”, “Bab\u0131ali”, “Ah\u015fap Konak” ve “Reis Bey”in de aralar\u0131nda bulundu\u011fu \u00e7ok say\u0131da esere imza att\u0131.<\/p>\n

Usta edebiyat\u00e7\u0131n\u0131n “Bir Adam Yaratmak” eseri 1977’de Y\u00fccel \u00c7akmakl\u0131 taraf\u0131ndan televizyona, “Reis Bey” adl\u0131 eseri ise Mesut U\u00e7akan taraf\u0131ndan sinemaya uyarland\u0131. “Bir Adam Yaratmak” 2002’de, “Reis Bey” 2017’de \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi \u015eehir Tiyatrolar\u0131, 2018’de Devlet Tiyatrolar\u0131 taraf\u0131ndan sahneye konuldu.<\/p>\n

T\u00fcrk edebiyat\u0131n\u0131n \u00f6nemli eserlerinden biri kabul edilen “Bir Adam Yaratmak”, Murat \u00c7eri taraf\u0131ndan 87 y\u0131l sonra sinemaya uyarland\u0131. Eserdeki “H\u00fcsrev” karakterini Engin Altan D\u00fczyatan canland\u0131rd\u0131. Film halen vizyonda izleyicilerle bulu\u015fuyor.<\/p>\n

Aksiyon ve dava adam\u0131 K\u0131sak\u00fcrek, \u015fiirde oldu\u011fu kadar T\u00fcrk fikir, siyaset ve sosyal hayat\u0131nda emsalsiz izler b\u0131rak\u0131rken pek \u00e7ok ismin hayat\u0131na y\u00f6n verdi.<\/p>\n

Yakla\u015f\u0131k 80 y\u0131ll\u0131k \u00f6mr\u00fcne bir\u00e7ok gazete ve dergide say\u0131s\u0131z yaz\u0131y\u0131, “A\u011fa\u00e7”, “Rapor” ve “B\u00fcy\u00fck Do\u011fu” adlar\u0131yla \u00e7\u0131kard\u0131\u011f\u0131 dergileri, d\u00fczineleri a\u015fan konferans ve hitabenin yan\u0131 s\u0131ra 70 eseri s\u0131\u011fd\u0131ran usta \u015fair, \u015feker hastal\u0131\u011f\u0131 sebebiyle Erenk\u00f6y’deki evinde 25 May\u0131s 1983’te vefat etti. Cenaze namaz\u0131, T\u00fcrkiye’nin her taraf\u0131ndan binlerce gencin kat\u0131l\u0131m\u0131yla Fatih Camisi’nde k\u0131l\u0131nan K\u0131sak\u00fcrek’in naa\u015f\u0131 omuzlarda ta\u015f\u0131narak Ey\u00fcp Sultan Mezarl\u0131\u011f\u0131’nda topra\u011fa verildi.<\/p>\n

Hakk\u0131nda bir\u00e7ok tez, makale, deneme ve kitap kaleme al\u0131nan Necip Faz\u0131l K\u0131sak\u00fcrek’in ayn\u0131 zamanda manevi ve k\u00fclt\u00fcrel miras\u0131n\u0131 ya\u015fatmak amac\u0131yla Star gazetesi taraf\u0131ndan 10 y\u0131ld\u0131r K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131n\u0131n deste\u011fiyle “Necip Faz\u0131l \u00d6d\u00fclleri” takdim ediliyor.<\/p>\n

K\u0131sak\u00fcrek’in ailesi taraf\u0131ndan usta edebiyat\u00e7\u0131n\u0131n sanat ve fikir d\u00fcnyas\u0131n\u0131 gelecek nesillere aktarmak gayesiyle 2015’te Necip Faz\u0131l K\u0131sak\u00fcrek K\u00fclt\u00fcr ve Ara\u015ft\u0131rma Vakf\u0131 kuruldu.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

T\u00fcrk edebiyat\u0131n\u0131n \u201cSultanu\u2019\u015f \u015euara\u201d unvanl\u0131 isimlerinden Necip Faz\u0131l K\u0131sak\u00fcrek, vefat\u0131n\u0131n 43. y\u0131l\u0131nda eserleri, fikir d\u00fcnyas\u0131 ve B\u00fcy\u00fck Do\u011fu miras\u0131yla an\u0131l\u0131yor.<\/p>\n","protected":false},"author":2,"featured_media":27193,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[9121,9122,8184,9120,8209],"class_list":["post-27192","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-buyukdogu","tag-cile","tag-necipfazilkisakurek","tag-sultanussuara","tag-turkedebiyati"],"yoast_head":"\n\u201cSultanu\u2019\u015f \u015euara\u201d Necip Faz\u0131l K\u0131sak\u00fcrek\u2019in vefat\u0131n\u0131n \u00fczerinden 43 y\u0131l ge\u00e7ti - Merceknet Haber<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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