{"id":23968,"date":"2026-05-09T14:49:47","date_gmt":"2026-05-09T11:49:47","guid":{"rendered":"https:\/\/www.merceknet.com\/tr\/?p=23968"},"modified":"2026-05-09T14:49:47","modified_gmt":"2026-05-09T11:49:47","slug":"unu-turkiyeden-dunyaya-yayilan-turk-divasi-leyla-gencer","status":"publish","type":"post","link":"https:\/\/www.merceknet.com\/tr\/2026\/05\/09\/unu-turkiyeden-dunyaya-yayilan-turk-divasi-leyla-gencer\/","title":{"rendered":"\u00dcn\u00fc T\u00fcrkiye’den d\u00fcnyaya yay\u0131lan T\u00fcrk divas\u0131: Leyla Gencer"},"content":{"rendered":"

D\u00fcnyada “T\u00fcrk Divas\u0131” (La Diva Turca) olarak \u00fcn kazanan sanat\u00e7\u0131, \u200b\u200b\u200b\u200b\u200b\u200b\u200bMilano, Roma, Venedik, Viyana, Paris, Buenos Aires, Londra, Rio de Janeiro ve Chicago’da bir\u00e7ok kez ba\u015frolde sahne ald\u0131.<\/p>\n

As\u0131l ad\u0131 Ay\u015fe Leyla \u00c7eyrekgil olan Gencer, t\u00fcm d\u00fcnyada opera sanat\u0131na katk\u0131da bulunan ve gelmi\u015f ge\u00e7mi\u015f en iyi be\u015f kad\u0131n opera sanat\u00e7\u0131s\u0131 aras\u0131nda yer al\u0131yor.<\/p>\n

Safranbolu’nun Y\u00f6r\u00fck k\u00f6y\u00fcnden Hasanzade \u0130brahim \u00c7eyrekgil ile aslen Polonyal\u0131 Alexandra Angela Minakovska’n\u0131n \u00e7ocu\u011fu olan Gencer, 10 Ekim 1928’de Polonezk\u00f6y’de d\u00fcnyaya geldi.<\/p>\n

Sanat\u00e7\u0131, Frans\u0131z bak\u0131c\u0131s\u0131ndan dil \u00f6\u011frenerek Frans\u0131z klasiklerini okumaya ba\u015flad\u0131, \u00e7ocuklu\u011funda edebiyat, tiyatro, m\u00fczik, sanat ve k\u00fclt\u00fcr\u00fcn her alan\u0131nda geni\u015f bilgi edindi.<\/p>\n

“Tutku olmazsa yapt\u0131klar\u0131m olmazd\u0131”<\/h2>\n

Babas\u0131n\u0131 gen\u00e7 ya\u015fta kaybeden Gencer, 18 ya\u015f\u0131ndayken \u0130brahim Gencer ile evlendi. Evlendikten sonra da e\u011fitimine devam eden sanat\u00e7\u0131, kariyeri boyunca e\u015fi taraf\u0131ndan desteklendi.<\/p>\n

Notre Dame de Sion’un ard\u0131ndan gitti\u011fi \u0130stanbul \u0130talyan Lisesi’nden mezun olan Gencer, bir s\u00fcre Beyaz\u0131t K\u00fct\u00fcphanesi’nde \u00e7al\u0131\u015ft\u0131.<\/p>\n

Leyla Gencer, \u0130stanbul Konservatuvar\u0131nda \u015fan e\u011fitimi ald\u0131\u011f\u0131 s\u0131rada Reine Gelenbevi, Cemal Re\u015fit Rey ve Muhittin Sadak’\u0131n \u00f6\u011frencisi oldu.<\/p>\n

 <\/p>\n

\n
\"Anadolu'dan<\/a><\/div>\n<\/div>\n

 <\/p>\n

Konservatuvardaki ilk g\u00fcn\u00fcnde La Scala’da sahneye \u00e7\u0131kmay\u0131 kafas\u0131na koyan Gencer, 1946-1949’da \u0130stanbul \u015eehir Korosu’nda solo sanat\u00e7\u0131s\u0131 olarak yer ald\u0131.<\/p>\n

Zeynep Oral’\u0131n yazd\u0131\u011f\u0131 “Tutkunun Roman\u0131: Leyla Gencer” kitab\u0131na ili\u015fkin Deniz Y\u00fcce Ba\u015far\u0131r ile yapt\u0131\u011f\u0131 bir s\u00f6yle\u015fide, yapt\u0131klar\u0131n\u0131n tamam\u0131n\u0131n tutku ile ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131n alt\u0131n\u0131 \u00e7izerek, “Bu tutku olmasa, bu (kitapta) okuduklar\u0131n\u0131z da olmazd\u0131, yapt\u0131klar\u0131m da olmazd\u0131. Mesela Gencer yar\u0131\u015fmas\u0131…. La Scala’ya ben 1956’da girdim. 1957 senesinde ilk defa s\u00f6yledim. \u015eimdi 2000 senesindeyiz ve ben hala La Scala’da bu sefer hoca olarak, akademinin ba\u015f\u0131nda, gen\u00e7leri yeti\u015ftirmek i\u00e7in vazifelendirildim. Ben b\u0131rakmak istiyorum. Onlar beni b\u0131rakmak istemiyor. Yani benim Scala’da bu kadar uzun zaman kalmam, belki kimseye nasip olmad\u0131 \u015fimdiye kadar. Hesap edersek 44 sene ben Scala’day\u0131m.” ifadelerini kullanm\u0131\u015ft\u0131.<\/p>\n

Performans\u0131yla Lombardi’yi etkiledi<\/h2>\n

Ankara Devlet Konservatuvar\u0131na \u015fan e\u011fitimi vermek \u00fczere davet edilen \u00fcnl\u00fc \u0130talyan sanat\u00e7\u0131 Arangi Lombardi’yi ziyaret ederek sesini dinleten Gencer, performans\u0131yla sanat\u00e7\u0131y\u0131 etkiledi. Lombardi, Gencer’in konservatuvar\u0131 b\u0131rakarak kendisiyle Ankara’ya gelmesini isteyince, sanat\u00e7\u0131 \u0130stanbul Konservatuvar\u0131ndaki e\u011fitimini yar\u0131da b\u0131rakt\u0131. Gencer Ankara’da, \u0130talyan tenor Apollo Granforte, Adolfo Camozzo, Di Ferdinando, George Reinwald ve Domenico Trizzio’nun da \u00f6\u011frencisi oldu.<\/p>\n

Usta sanat\u00e7\u0131, 1949’da operan\u0131n ba\u011fl\u0131 bulundu\u011fu Devlet Tiyatrosu s\u0131navlar\u0131na girdi. S\u0131nav\u0131 kazanan Gencer, operan\u0131n solist kadrosunda yer olmad\u0131\u011f\u0131ndan koro kadrosuna al\u0131nd\u0131.<\/p>\n

Opera kariyerine 1950’de Ankara Devlet Tiyatrosunda sahnelenen “Cavalleria Rusticana” eserindeki “Santuzza” rol\u00fcyle ad\u0131m atan sanat\u00e7\u0131, \u0130talya’da da ilk kez bu rolle seyirci kar\u015f\u0131s\u0131na \u00e7\u0131kt\u0131.<\/p>\n

Gencer, ilk sahne deneyimine ili\u015fkin TRT’de 1990’da yay\u0131nlanan r\u00f6portaj\u0131nda, La Scala’ya ilk gitti\u011finde ya\u015fad\u0131klar\u0131n\u0131 \u015fu s\u00f6zlerle dile getirmi\u015fti:<\/p>\n

“Ben ilk kez \u0130talya’da Scala’ya gitti\u011fim zaman, (Antonio) Ghiringhelli diye bir umum m\u00fcd\u00fcr\u00fc vard\u0131. Harpten sonra uzun seneler kald\u0131. Beni ilk defa Scala’ya davet etti\u011fi zaman, ‘Siz b\u00fcy\u00fck bir kariyer yapmak isterseniz bir \u0130talyan ismi al\u0131n.’ dedi bana. ‘Hay\u0131r. Ben kendi ismimle kariyer yapmak istiyorum.’ dedim. ‘Ama senin ismin bir T\u00fcrk ismi. \u0130talyan ismi al\u0131rsan di\u011fer Amerikal\u0131 arkada\u015flar\u0131n gibi, daha \u00e7abuk isim yapars\u0131n.’ dedi. ‘Zarar\u0131 yok. Ben daha yava\u015f isim yapar\u0131m ama kendi T\u00fcrk ismimle yapaca\u011f\u0131m.’ dedim. Yani insan hi\u00e7bir zaman k\u00f6klerini inkar etmemeli.”<\/p>\n

Bir\u00e7ok resmi devlet resepsiyonunda sahne alan Gencer, 1953’te ABD Ba\u015fkan\u0131 Dwight Eisenhower i\u00e7in \u00c7ankaya K\u00f6\u015fk\u00fc’nde verilen konserde, Henry Purcell’a ait “Didone” aryas\u0131n\u0131 s\u00f6yledi.<\/p>\n

Leyla Gencer, Frans\u0131z Parlamento Ba\u015fkan\u0131 ve D\u0131\u015fi\u015fleri Bakan\u0131 i\u00e7in ise Faust operas\u0131n\u0131n “M\u00fccevherler” aryas\u0131n\u0131 seslendirdi.<\/p>\n

T\u00fcrkiye ile \u0130talya aras\u0131nda 1953’te ger\u00e7ekle\u015ftirilen k\u00fclt\u00fcr anla\u015fmas\u0131 kapsam\u0131nda, Roma’da bir resital vermek \u00fczere g\u00f6revlendirilen Gencer’in ya\u015fam\u0131 ve kariyeri, b\u00fcy\u00fck ba\u015far\u0131 elde etti\u011fi konserin ard\u0131ndan farkl\u0131 bir y\u00f6n kazand\u0131. Konserdeki performans\u0131 dolay\u0131s\u0131yla RAI St\u00fcdyolar\u0131 Genel M\u00fcd\u00fcr\u00fc ve M\u00fczik Y\u00f6netmeni Mairo Labroca, sesini dinletmesi i\u00e7in Gencer’i Napoli’deki San Carlo Operas\u0131’na g\u00f6nderdi.<\/p>\n

La Scala’daki ba\u015far\u0131s\u0131yla primadonna oldu<\/h2>\n

Gencer, San Carlo Operas\u0131 ile 1954’te Napoli’de ger\u00e7ekle\u015ftirilen yaz festivalinde yeniden “Santuzza” rol\u00fcn\u00fc oynad\u0131. “Yevgeni Onegin” ve “Madam Butterfly”da ba\u015frol alan sanat\u00e7\u0131, “Madam Butterfly” operas\u0131 i\u00e7in y\u0131l i\u00e7inde 23 kez sahne ald\u0131.<\/p>\n

“Napolili T\u00fcrk” olarak an\u0131lmaya ba\u015flayan usta sanat\u00e7\u0131, “La Traviata”daki “Violetta” rol\u00fcn\u00fc, Avrupa’n\u0131n \u00e7e\u015fitli kentlerindeki operalarda canland\u0131rd\u0131, uluslararas\u0131 festivallere kat\u0131ld\u0131 ve piyano e\u015fli\u011finde resitaller verdi.<\/p>\n

Leyla Gencer, 1956’da San Francisco’da rahats\u0131zlanan Renata Tebaldi’nin yerine ayn\u0131 y\u0131l “San Francesca de Rimini” operas\u0131nda sahne ald\u0131. San Francisco Operas\u0131 ile 1957’de “La Traviata” eserinde “Violeta”y\u0131 seslendiren sanat\u00e7\u0131, “Lucia di 74 Lammermoor” adl\u0131 eserde ise Maria Callas’\u0131n yerine “Lucia” rol\u00fcn\u00fc \u00fcstlendi.<\/p>\n

Konservatuvara girdi\u011fi ilk g\u00fcnden itibaren hayalini kurdu\u011fu, operan\u0131n merkezi say\u0131lan Milano’daki La Scala’da 26 Ocak 1957’de sahneye \u00e7\u0131kan sanat\u00e7\u0131, Francis Poulenc’in “Les Dialogues de Carmelites” operas\u0131ndaki ba\u015far\u0131s\u0131yla primadonnal\u0131\u011fa y\u00fckseldi.<\/p>\n

Unutulmaz sanat\u00e7\u0131, Milano’da La Scala’da Verdi, Bellini, Donizetti, Mozart, Monteverdi, Tchaikovsky ve Puccini’nin de aralar\u0131nda bulundu\u011fu \u00fcnl\u00fc bestecilerin eserlerini ba\u015far\u0131yla yorumlad\u0131.<\/p>\n

Londra Royal Albert Hall ve New York Carnagie Hall’de orkestra e\u015fli\u011finde \u00e7ok say\u0131da konser veren sanat\u00e7\u0131 ayr\u0131ca Roma, Napoli, Venedik, Viyana, Paris, San Francisco, K\u00f6ln, Buenos Aires, Rio de Janeiro, Bilbao ve Chicago’da sahne ald\u0131.<\/p>\n

Leyla Gencer, son kez 1985’te Venedik Fenice Tiyatrosu’nda opera seslendirdi, 1994’te Sevda-Cenap And M\u00fczik Vakf\u0131 Onur \u00d6d\u00fcl\u00fc Alt\u0131n Madalyas\u0131’n\u0131 ald\u0131.<\/p>\n

Konserlerini 1992’ye kadar s\u00fcrd\u00fcren, sonraki y\u0131llarda gen\u00e7 sanat\u00e7\u0131lar yeti\u015ftiren Gencer, Ankara ve \u0130stanbul’da opera seminerleri verdi.<\/p>\n

Ad\u0131na hat\u0131ra paras\u0131 bas\u0131ld\u0131<\/h2>\n

Unutulmaz sanat\u00e7\u0131, T\u00fcrkiye’de opera sanat\u0131n\u0131n tan\u0131nmas\u0131 ve geli\u015fmesi i\u00e7in bir\u00e7ok \u00e7al\u0131\u015fmaya imza att\u0131, ara\u015ft\u0131rmac\u0131 y\u00f6n\u00fcyle T\u00fcrk ve d\u00fcnya operas\u0131na \u00f6nemli katk\u0131larda bulundu. D\u00f6nemi itibar\u0131yla unutulmu\u015f bir\u00e7ok opera eserini tozlu ar\u015fivleri tarayarak g\u00fcn y\u00fcz\u00fcne \u00e7\u0131karan sanat\u00e7\u0131, yorumlad\u0131\u011f\u0131 eserleri yeniden opera d\u00fcnyas\u0131na kazand\u0131rd\u0131.<\/p>\n

“Devlet sanat\u00e7\u0131s\u0131” \u00fcnvan\u0131n\u0131 1988’de alan sanat\u00e7\u0131, 2007’de \u0130talya’da Caruso \u00d6d\u00fcl\u00fc’ne lay\u0131k g\u00f6r\u00fcld\u00fc.<\/p>\n

Opera d\u00fcnyas\u0131na yeni yetenekler kazand\u0131rmay\u0131 ama\u00e7layan “Leyla Gencer Uluslararas\u0131 \u015ean Yar\u0131\u015fmas\u0131” sanat\u00e7\u0131 ad\u0131na ilk kez 1995’te d\u00fczenlenmeye ba\u015flad\u0131.<\/p>\n

Ayr\u0131ca 2004’te T\u00fcrkiye’de Leyla Gencer ad\u0131na g\u00fcm\u00fc\u015f hat\u0131ra paras\u0131 bas\u0131ld\u0131.<\/p>\n

Bir\u00e7ok \u00fclkeden ve kurumdan say\u0131s\u0131z \u00f6d\u00fclle ni\u015fan alan Gencer’e, pek \u00e7ok \u00fclke vatanda\u015fl\u0131k teklifinde bulundu. Tekliflerin tamam\u0131n\u0131 geri \u00e7eviren sanat\u00e7\u0131, “Ben, Anadolu \u00e7ocu\u011fuyum.” diyerek, ya\u015fam\u0131 boyunca T\u00fcrk vatanda\u015fl\u0131\u011f\u0131n\u0131 onurla ta\u015f\u0131d\u0131.<\/p>\n

Hakk\u0131nda, Zeynep Oral’\u0131n yazd\u0131\u011f\u0131 “Tutkunun Roman\u0131: Leyla Gencer” kitab\u0131n\u0131n yan\u0131 s\u0131ra bir\u00e7ok yaz\u0131 ve ara\u015ft\u0131rma kaleme al\u0131nan Gencer, kalp ve solunum yetmezli\u011fi nedeniyle 10 May\u0131s 2008’de Milano’daki evinde hayata veda etti.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kariyeri boyunca 23 bestecinin 72 eserini repertuvar\u0131na alan, 1950’den 1983’e kadar d\u00fcnyan\u0131n \u00f6nemli opera sahnelerinde, \u00fcnl\u00fc operalar\u0131n ba\u015frollerini ba\u015far\u0131yla yorumlayan primadonna Leyla Gencer’in vefat\u0131n\u0131n \u00fczerinden 18 y\u0131l ge\u00e7ti.<\/p>\n","protected":false},"author":6,"featured_media":23969,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[8130],"class_list":["post-23968","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-leyla-gencer"],"yoast_head":"\n\u00dcn\u00fc T\u00fcrkiye'den d\u00fcnyaya yay\u0131lan T\u00fcrk divas\u0131: Leyla Gencer - Merceknet Haber<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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